This blog is a tribute to female authors in the dark thriller genre, whom I’ve appreciated more and more in the past few years. There are many good ones, and I’ve been going through their books like they are a giant bag of Twizzlers. I just can’t stop.
One of my best discoveries is bestselling British author Rachel Abbot. She writes psychological thrillers, most of which are set in Manchester, England, close to where the author grew up.
According to her bio, “After being turned down by several literary agents and publishers, she decided to brave it alone and go into self-publishing.” I’m so glad she did because her success story encourages us writers and thrills her readers and fans, including me!
Her books are suspenseful, page-turners I can’t put down even when dinner’s calling! They are the type of books you can lie with for hours, snug under the covers on a wintry Saturday morning, or what have you. There are good characters to root for, especially detective Tom Douglas and Becky, his partner. Ms. Abbott’s books are well-written with believable dialogue and good pacing. I enjoy the plots and how they unfold. Just as I think I have it figured out, there are brilliant twists. Her books are addictive. I’ve read them all, and I’m waiting for more.
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that’s both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore–who just happens to be Jewish–to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way–a man who awoke from a nightmare and immediately set out to meet his destiny.
The battle has begun: On one side, the ultimate evil created by man, and on the other…the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.
The Keep by F. Paul Wilson is a supernatural thriller set at the beginning of WW II. The story is rich in history and has many elements I love—Gothic horror, immortal creatures, Romania, a creepy fortress, revenge on nazis, and a worthy nemesis in Rasalom. The book is brilliantly atmospheric.
Wilson’s descriptions are lovely. It’s a fast-paced tale with a great twist, never dull, and it has characters I loved, which is always a plus. In my opinion, it’s a fun but not a terribly scary read, but, then again, I don’t scare easily.
The best part is, I’ve found a new favorite writer in F. Paul Wison and feel as if I should have known about him long ago!
Knots and Crosses by Ian Rankin and As So It Begins by Rachel Abbott are two books that provided the page-turning suspense that kept me reading but still managed to leave me disappointed.
The main reason is I need characters I can like and root for throughout the book. Please give me one, at least.
It’s particularly distressing when I think there’s one, but it turns out in the end that they all suck.
My reviews for these will be short.
Detective John Rebus: His city is being terrorized by a baffling series of murders…and he’s tied to a maniac by an invisible knot of blood. Once John Rebus served in Britain’s elite SAS. Now he’s an Edinburgh cop who hides from his memories, misses promotions and ignores a series of crank letters. But as the ghoulish killings mount and the tabloid headlines scream, Rebus cannot stop the feverish shrieks from within his own mind. Because he isn’t just one cop trying to catch a killer, he’s the man who’s got all the pieces to the puzzle…
Knots and Crosses introduces a gifted mystery novelist, a fascinating locale and the most compellingly complex detective hero at work today.
My review: ⭐ ⭐ ⭐
I know Ian Rankin is good. So many people recommend his work. I also know Knots and Crosses was not the best example of why he is popular.
The main character in Knots and Crosses , Detective John Rebus, does not seem to do much of anything but drink and get laid. He didn’t solve any crimes, let alone the main one. There was nothing to like about him and plenty to not like. Oh, there is sufficient reason to feel sorry for him. I felt sorry for the victims, too, and, of course, I rooted for the ones still alive, but it’s not as if you get to know them. I liked the book, sure. I just needed more.
Mark and Evie had a whirlwind romance. Evie brought Mark back to life after the sudden death of his first wife. Cleo, Mark’s sister, knows she should be happy for him. But Cleo doesn’t trust Evie…
When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets.
Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As Evie stands trial, the jury is forced to consider – is there ever a proper defence for murder?
And So It Begins is a darkly compulsive psychological thriller with all the hallmarks of a Rachel Abbott bestseller – a provocative dilemma, richly-layered mystery, knife-edge tension, and brilliant characterization.
My review: ⭐ ⭐ ⭐ ⭐
This book I liked a lot. Rachel Abbott is a wonderful storyteller, and As So It Begins is a well-written page-turner. I hated the twist and the ending for personal reasons, but I can’t get into that without spoilers.
What I can say is, the detective here, Stephanie King, is nowhere near as interesting as the people involved in the mystery that unfolds. (This is her series, and she is the star, but you’d never know it.) She turns up now and then and mostly worries about her love life. I feel like the whole story could have happened without her minimal involvement. A couple of minor characters impressed me, but, as I mentioned above, I want to root for at least one of the main characters.
As an aside, I’m reading another of Rachel Abbott’s books right now called The Invitation, and I love it, but now that I’m many chapters deep into the book, Detective Stephanie King emerges once again.
Hopefully, she makes a better impression here than in the last book.
Everyone is in the grip of someone or something – besotted with or controlled by another person or captive of passions, ambitions, torments, or demons. . . . Mordecai Bornstein enjoys a successful scientific editing and writing career. He has a comfortable existence. He’s found passion with the woman he worships – Patricia Murphy, an alluring and ambitious museum director. But nothing good lasts forever, and Mordecai stumbles into a way to inject torment into his life. Years later, after that life has been turned upside-down, Mordecai is drawn into the orbit of divorce attorney and artist patron Sanford Glickauer, who loves talking about women and playing mind games, some of them designed to alter people’s lives. A bond develops between the two men, until Mordecai slowly comes to the realization that he and Patricia may have been the focus of Sanford’s ultimate game. In the Grip is a psychological mystery involving love, loss, sex, murder, and the worlds of scientific publishing and fine art. The action moves from Upstate New York to Manhattan to Frankfurt, Paris, Kiawah Island, SC, Washington, DC and its suburbs, and Providence, RI.
Well-drawn characters come to life with superb dialogue and compelling description, transporting the reader into the time and place of this narrative.
Myer Kutz has a writing style that is lively and entertaining. A slow-paced beginning sets the stage for skillful plot development with many clever twists and turns.
Mordecai Bornstein is the story’s endearing protagonist. He is someone to admire, root for and respect despite his weaknesses. He tells the tale of a charming love story, his profound devotion to the lovely Patricia who is not simply a stunner but a brilliant, successful woman making her own strides.
Be patient with the author’s masterful storytelling; the pace picks up and continues to accelerate until you can’t put it down. The end reward is delivered in spades. You will want to go back and read it again for anything you may have missed.
The epilogue was beautiful. I loved it. I think it would make a wonderful movie.
This book was initially reviewed in May, 2012, but I am recommending it again to horror fans.
Before The House on Blackstone Moor, we experienced the wicked, self-involved albeit charming vampire and his polar opposite— the long-suffering, brooding wimp with a conscience. Carole Gill’s Louis Darton is neither. Instead, he is the perfect balance between the two—a Byronic hero with substance. He endures, as the author writes, no matter what. He does so with great courage, inner strength, and compassion. Now that’s seductive!
As a fan of 19th century British literature and all things gothic, I found, in TheHouse of The Blackstone Moor, all the elements I enjoy in a novel and all the features of a classic. The moods of great works such as Wuthering Heights, Pride and Prejudice, even Dickens (a la Oliver Twist and David Copperfield) surface throughout. Carole Gill presents excellent narration, well-drawn characters, and has a sharp ear for dialogue.
While hopelessly invested in Rose Baines and her beloved Louis Darton’s fate, I read this entire book in two days. No sooner had I put it down when an irresistible lure seemed to beckon my return. 😉 I’d have finished it in one sitting if I didn’t need to be elsewhere.
Between Darton and Satan’s cohort “Eco,” there is the additional element of the proverbial dark side with a twist. It brings to mind Anne Rice’s poetic Memnoch The Devil inspired by the Book of Enoch and Milton’s epic poem, Paradise Lost. This genre has been met and embraced in the past with great interest and sheer fascination. Carole Gill continues in that vein. She pulls it off quite skillfully with wonderfully bold and descriptive passages.
About Carole Gill
Carole Gill is published by Creativia. She writes dark Gothic romance as well as contemporary horror.
Preditors & Editors’ Readers’ POLL #2 BEST HORROR NOVEL 2016 I, BATHORY, QUEEN OF BLOOD
BEST INDIE BOOK FINALIST 2016 CIRCUS OF HORRORS
Her acclaimed 4-novel series, The Blackstone Vampires: 2014 – Amazon Bestseller in Dark Fantasy – THE BLACKSTONE VAMPIRES OMNIBUS 2015 – Amazon Bestseller in Vampire Horror – THE BLACKSTONE VAMPIRES OMNIBUS 2015 – Amazon Bestseller in Horror Anthologies – HOUSE OF HORRORS
AWARDS: eBook Festival of Words 2014 Best Horror: The House on Blackstone Moor and Best Villain: Eco
Top 10 Books – 2013 – The House on Blackstone Moor Aoife Marie Sheridan – ALL THINGS FANTASY Publisher, Ultimate Fantasy Books ‘ 92 Horror authors you need to read right now, Carole Gill – The Blackstone Vampires Series. ~Charlotte Books Examiner,
Justine: Into The Blood Book One – Blood and Passion Series is on sale at Amazon. Book 2, Anat: Blood Princess, follows.
I, Bathory, Queen of Blood, a novel about the Blood Countess Erzsebat Bathory is her latest book. For dark horror fans there is, Carole Gill’s House of Horrors and the novel, Circus of Horrors.
In 2000 she was selected by Northwest Playwrights of England for further development. Short stories and novels were what she preferred to write. Her story, The Devil’s Work is being broadcast web and television in the Fragments of Fear Program in 2016.
She is widely published in horror and sci-fi anthologies:
Fragments of Fear tv and You Tube, ‘The Devil’s Work Killing it Softly, Digital Fiction Publishing Corp. Sideshow, published by PsychoPomp After Armeagedon short story collection by Brian L. Porter (guest story by Carole Gill) Rogues Gallery, The Illustrated Police News, Firbolg Enter at Your Own Risk: Dark Muses Spoken Silences Firbolg Vampires: Romance to Rippers an Anthology of Tasty Tales A S Publications: Enter at Your Own Risk: Old Masters New Voices, An Anthology of Gothic Literature, Fresh Fear: Contemporary Horror Triskaideka Books’ Masters of Horror Anthology One, Triskaideka Books’ Masters of Horror Damned If You Don’t, Sonar 4 Publishing’s Ladies and Gentlemen of Horror 2010, SNM’s Bonded By Blood3 Languish In Lament, Sonar 4 Publishing’s Whitechapel 13, Anthology, Rymfire’s Undead Tales, Rymfire’s Zombie Winter, Rymfire’s Zombie Writing Angelic Knight Press’ Satan’s Toy Box: Demonic Dolls and Whitechapel 13, An Anthology of the Victorian Era Sci Fi Almanac 2009 and 2010 and Science Fiction Freedom Magazine, issues 1-4, Sci Fi Talk’s Tales of Time and Space.Read less
I had Roger Daltrey’s poster on my wall as a kid. My father tore it down nonchalantly when he decided to panel the walls. He didn’t think my sister, who shared the room with me, or I would mind. But, we did. He left the beautiful poster crumpled up in a ball on the floor!🤣
I cried and did a little foot-stomping. The Who was one of our favorite bands. We loved the movie Tommy and the collection of songs from the rock opera that preceded it. I always thought it was the work of a genius, and that genius was Pete Townshend, the band’s legendary guitarist. His other works were phenomenal as well, and seeing Roger bring Tommy to life on screen was incredible. I’ll confess; I had a mad crush on him.
As you can imagine, by the time my sister and I got to see the band in concert, it was so powerful and emotional, I was in tears. My heart was just exploding with joy.
Now, I happen to love a good juicy memoir. When I say juicy, I don’t mean in terms of sex but information. Curiosity, I guess, but I do enjoy learning about people and things.
I didn’t know much about the band members beyond Keith’s self-destructive path, resulting in his death and Pete’s arrest for downloading child porn. (Pete was found innocent and cleared of the charges.) Roger tells that story in his book. He is a fantastic storyteller, and his collaborator did an excellent job helping him put it all together. Reading about his experience, I learned a lot more about music and what bands go through. Being a lover of music who could only dream about singing on stage, I found it fascinating. Reading about the sixties and seventies has always been exciting to me, too. If I could transport back in time to get there, I’d take the chance in a heartbeat.
So, in my assessment, Thanks a lot Mr. Kibblewhite is a fast-paced read and thoroughly enjoyable. Fans of The Who will love it. I got so into it that I had to watch a bunch of their live shows on YouTube. I wanted to observe each of them individually and collectively. (Yeah, when I’m watching or reading something good, I am obsessed.) They blow me away now more than they ever had! All of them were beautiful and brilliant— topnotch musicians and showmen.
I will say I can’t entirely agree with everything Roger says in his book. For instance, he thinks fidelity should not end a marriage. That might have been debatable at the peak of his fame, but to say that after the 80s? He’s had children with women he played with on the road, so he wasn’t too concerned about protection. In terms of awareness advocacy, I’d be remiss not to say I’m glad he and his wife never had to suffer the consequences.
Other than that, I admire Roger Daltrey and respect him. At 5’6, the man’s presence was (and likely still is) enormous. It seemed to me he was not only grounded and a tough guy, especially with his anti-drug stance but also vulnerable and emotional. What happened to Keith and John—and even the troubles Pete had— broke Roger’s heart. He seemed to have tremendous empathy for them, even though their antics had a detrimental effect on the band, in general, and individually.
One thing struck me while reading about his depression after the series of tragedies. He wrote:
“We hadn’t been able to grieve after John’s death. We had just pushed on through that intense tour and then, only weeks after we’d got home, before we could process it all, Pete was arrested and all our lives got turned upside down. In the face of a sustained crisis your brain stops coping. It shuts down to protect your heart.”
That was sort of an a-ha moment for me because this happened to several people I love and me, too. As simple as it may seem, it is deeply profound. In fact, after reading that, it helped me help someone else. 😉
Roger Daltrey shows, throughout this writing, that he’s capable of admitting his mistakes and learning from them. In my book, people like that are a treasure. Thank you, Roger, for sharing your fascinating story and thought-provoking words of wisdom. If I was a fan before, I’m more of a fan after finishing your book. ❤️
During the George Floyd protests, online activists listed book titles that would help increase black history awareness. The Autobiography of Malcolm X: As Told to Alex Haley was among those recommended to me.
With this writing, Malcolm X hoped to shed light on how growing up in the black ghettoes shaped his life and character. And he knew it would require a great deal of objectivity on the reader’s part.
Indeed, there are harsh truths—painful and soul-crushing truths that justify every bit of anger black people feel. There arealso misogynistic generalizations along with expressed anger and vindictiveness particularly toward white women, but, as he stated later in the book, “Anger can blind human vision.”
It works both ways.
With the “Black Lives Matter” movement, I saw an inability to comprehend that people of color merely demanded the same due process, dignity, and justice given to white people. Those enraged by the protests could not put themselves in those people’s places or even imagine being in that position themselves. They were above it all, and facts didn’t matter. My impression was that they don’t understand because they generally don’t deal with black people personally, Generally speaking, their knowledge of black people is what they see on the news. Or they base their conclusions on the actions of a few, something they wouldn’t do with people of the same race and ethnicity.
There’s been an obsession with “sameness” that has baffled me since I was a child.
Interesting analogy—when my child was born, I had to get an Rh immune globulin shot because I am Rh-negative and didn’t have the Rh factor marker to mix with Rh-positive blood. If I hadn’t done that, and my son was born Rh positive, my immune system would have made antibodies to reject what it detected as a foreign invasion by attacking his red blood cells. That foreign invasion response. The impulsive instinct to reject what isn’t the same, not close enough, and thereby threatening. It’s part of humanity’s defective design. I don’t recognize you, plain and simple. You don’t belong here. Get out. It’s like a bad science fiction movie where you can’t get through to the people affected and can’t save them.
Malcolm X said that, in writing this book, he hoped to help “save America from a grave, possibly even a fatal catastrophe.”
I don’t think that’s an exaggeration.
I remember, years ago, while dating a biracial man, a black woman said to me, “He’s a black man, honey. You can’t possibly understand a black man the way he needs to be understood.” I didn’t know if she was right or wrong. Sure, I realized, from an early age, that discrimination and oppression were completely unacceptable. I was always willing to understand. I’m certainly a lot more aware now than I was then. Yet there is still more to learn.
Responding to speculation as to why he was the way he was, Malcolm X said, “To understand that of any person, his whole life, from birth, must be reviewed. All of our experiences fuse into our personality. Everything that ever happened to us is an ingredient.”
He talked a lot about how reading forever changed the course of his life. “People don’t realize how a man’s whole life can be changed by one book,” he said. (And although women were hardly a second thought in the time that he lived, this applies to them, too.) 😉
The Autobiography of Malcolm X: As Told to Alex Haley has that ability to change lives. Mr. Haley did an excellent job with it. The pacing was slow—at times, a little too slow, but I’m glad I was patient. It is an important book to read. It proves, as far as I’m concerned, that reading is a must. It has been one of my saving graces in life, and it is what pulled Malcolm X up from the dark, deep, underground tunnels that kept him in the oppressor’s grip, a cycle of self-sabotage and self-loathing that his oppressors created for him and so many others like him.
Exploring works like Native Son by Richard Wright and The Autobiography of Malcolm X: As Told to Alex Haley is a great start for people interested in learning why this great divide continues to exist.
However, according to the American Academy of Arts & Sciences, “As of 2017, Americans spent an average of almost 17 minutes per day reading for personal interest (as compared to almost three hours watching television and 28 minutes playing games and using computers for leisure). Younger Americans (ages 15 to 44) spent, on average, less than 10 minutes per day reading for personal interest.”
I firmly believe a lack of reading and exploring is one of the many problems we have in this country.
The truth is, you don’t have to like a person to learn from them, but I ended up liking the person who told this story. The tragic end to his extraordinary life saddens me. Malcolm X was open-minded and remained teachable. He came to understand we are not all alike, all of us white people, and it’s the same thing everyone needs to realize about every other race and ethnicity.
His conclusion was, it isn’t necessarily “the American white man who is a racist, but the American political, economic, and social atmosphere that automatically nourishes a racist psychology in the white man.” And that “it takes all of the religious, political, economic, psychological, and racial ingredients, or characteristics, to make the human family and the human society complete.” He felt certain if this weren’t the case, we’d have a humane, empathetic society where all of us, rich and poor, could be treated with dignity and respect. He liked the idea of not seeing an inherently evil “enemy” but rather a society that “influences him to act evilly.”
Even Christianity—a religion black people clung to for comfort and hope—became part of that racist psychology. He noted that “The Christian church returned to Africa under the banner of the Cross—conquering, killing, exploiting, pillaging, raping, bullying, beating—and teaching white supremacy. This is how the white man thrust himself into the position of leadership of the world—through the use of naked physical power.”
I so admire the spiritual courage this man had in his search for the truth.
And the truth is, essentially, what makes sense to you after all your exploration and your quest for authenticity. I say it all the time, no group, no matter who, what, or where is perfect. We always have a mix of good and evil. Or, to be kinder, some have seen the light, and others have yet to see it. Let’s hope they keep looking.
“The most striking thing about the story of Rip Van Winkle is not merely that Rip slept twenty years, but that he slept through a revolution. All too many people find themselves living amid a great period of social change, and yet they fail to develop the new attitudes, the new mental responses, that the new situation demands. They end up sleeping through a revolution.” -Martin Luther King, Jr..
MORE BOOKS RECOMMENDED TO ME
A People’s History of the United States by Howard Zinn along with Malcolm X
Incidents in the Life of a Slave Girl by Harriet Ann Jacobs
Souls of Black Folk by W.E.B. DuBois by W.E.B. Du Bois
Uncle Tom’s Cabin by Harriet Beecher Stowe
Negro History by Carter G. Woodson’s by Carter G. Woodson
Let me preface this review with something I’ll exclude for the actual Amazon and Goodreads version.
How do you feel about revenge plots —an eye for an eye of stomach-turning torture?
Yeah, I’m not a fan, even though I read and write terrifying books without losing a wink of sleep. Of course, the cruelty is worse when it happens to the victims, but it’s painful to endure even when it happens to the culprits.
I’ve seen almost consistently in my life that people who deserve terrible things to happen to them will make those things happen on their own. They’ve lived it already, are living it now or will live it, and none of it has anything to do with me. Satisfaction can’t possibly come from the same kind of brutality—where we now have more deranged perpetrators than we did initially.
In a book or a film, it’s a fantasy. I get it. I have no harsh judgment for people who enjoy it. While I do have a good sense of humor, I can also be a buzzkill. I don’t even like catfights or cake fights, as hilarious as they may be to some. They’re spiteful and childish and, in the latter case, mess up a perfectly good cake. So I understand and accept that we’re all different in terms of what we like to see, and that’s not necessarily a bad thing. You think Fifty Shades of Grey is fantastic and exciting? I think it’s awful, but knock yourself out. I’m glad there’s something out there that you enjoy.
What I do like to see in terms of victim vs. culprit is justice served. That means people forever protected from those who’ve harmed them and may harm others. Even in real life, it’s never about punishment for me. It’s about self-protection and self-preservation.
So, on to the review.
T.R. Ragan (Theresa Ragan) is a New York Times bestselling mystery and thriller author. I chose to read her book because I love thrillers. Amazon recommended it based on my browsing, and the reviews encouraged me further.
Two different storylines are going on here. One was about a crime reporter named Sawyer Brooks and her sisters. They grew up in the eerie town of River Rock, where the gruesome murders of three young girls remained unresolved. Sawyer struggles to control her rage and paranoia due to the horrific abuse she suffered since she was a child. When she returns to River Rock for her grandmother’s funeral, another young teen is found dead in the same gruesome manner as the first three. Sawyer’s investigation leads to danger in River Rock’s darkest corners and reunites her with her similarly traumatized sisters.
The other story told in this book focuses on several underdeveloped characters who, while justifiably angry, were doling out torture against men who had abused them. Because of their lack of development, these women never felt real to me. Whenever their chapters came up, I couldn’t wait to get back to Sawyer. Throughout most of both stories, I wasn’t sure what the connection was. The author does tie it together eventually, and she does so quite brilliantly. On that note, I’m glad I was patient.
Don’t Make a Sound is a good, suspenseful page-turner, nicely paced with some great twists. The Brooks sisters are worth rooting for—admirable and relatable in every regard. As far as who did what and when they did it, the author certainly delivered. The ending was satisfying even with that nauseating torture stuff.
Lastly, Don’t Make a Sound is timely in terms of the “Me Too” movement. Most of us understand how distressingly common the abuse is, having been objectified and victimized since childhood. Many of us can recall multiple incidents—perhaps, too many to count, so we get it. However, if you are one of those who find the whole “Me Too” thing uncomfortable because of guilt or denial, find another book to read. And if you have no desire to learn and understand, just go away—far, far away.
“We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.”— Plato
*WARNING* Possible spoilers
5 stars *****
When I first opened this book on my Kindle, I figured my rating would be four stars, tops. The book’s subject, Donald Trump, has been distressing and depressing most of us for years, and we know why.
However, it doesn’t suffice to say that Mary L. Trump has done a great job covering this subject.
Everything she wrote was entirely believable and relatable. I loved the family anecdotes, especially the one about the holiday gift exchange. Family dysfunction is typical. We can all laugh about it, but, beyond silly, meaningless gifts, the level of dysfunction in the Trump family was brutal and overwhelmingly tragic.
Considering how the Trumps treated Mary, her parents, her brother, Fritz, Fritz’s wife, and Fritz’s seriously ill child, it surprised me to note how fair she was to the perpetrators of what I’d call highly traumatic narcissistic abuse.
Now, there are stories written out of anger and a need for revenge. There are also stories told with raw honesty, and as much compassion as the author can muster. I felt that Too Much and Never Enough came straight from the heart. Resentment seeps through, yes. How can it not? But the way the author has attempted to understand the people around her speaks volumes.
I would go so far as to say that Too Much and Never Enough is the most compassionate perspective you will ever get about this president. His enablers will never have this level of empathy for him. They are merely using him to their advantage. The same way his father did. I’m not saying Mary Trump wrote this book to help her uncle, but I think she wanted to help America and the rest of the world fully understand what we’re dealing with here.
To that end, she provides an extraordinary explanation for everything we see, and if you’ve been paying close attention to what’s been going on, it all makes perfect sense. If you’re familiar with narcissistic abuse, it makes even more sense. And she’s not giving him a pass here. She makes it painfully clear how dangerous it is to keep Donald Trump in office. I’m not giving him a pass either. Yes, my heart broke for him a couple of times. The book has made me more sympathetic toward him, but I have more sympathy for the rest of the world, dealing with the fallout of his tragedy.
A broken, terrified child is running our country. As Mary Trump stated, he’s still seeking approval from his dad.
In my opinion, he’s likely punishing him with a madman’s fury by punishing us—all of us. It doesn’t matter whether we support him or not. He will punish anyone and everyone in any way he can.
“No power so effectually robs the mind of all its powers of acting and reasoning as fear.”— Edmund Burke
In conclusion, I do wish everyone would read this book. I hope those who support Donald Trump will read it and see it for what it is and not merely an attempt to slander or humiliate him. It’s only possible if they approach it with an open mind and heart.
Maybe it’s too late for Donald Trump to get the help he should have gotten so many years ago, but he can still do the right thing and step down. Either way, we need to get him out of there.
“A man who fears suffering is already suffering from what he fears.”—Michel de Montaigne
I don’t know what was going on with my Kindle version of this book. The product details gave the print length as 159 pages. I noticed that at some point, it said I was on page 158, but I was about three-quarters of the way through it. Every page after that also said I was on page 158—up until the last. And the more I read, the more I wanted it to end, so, continually finding myself on the final page began to annoy me.
Of course, if you are human and empathetic, what you read in these pages will hurt. It’s not fiction. Well, it was the Victorian era, so it shouldn’t be all that surprising. Many of us, myself included, romanticize the period, love to hear about it, and live there in fantasy while watching a movie or reading a book, but we don’t always get the reality of how bad things were for women then. People saw them as subhuman. If a man didn’t like his wife’s behavior, he could say she was insane and drop her off in a mad-house. No one seemed to care what happened to most of these “patients” after that, many of whom were quite sane—at least when they arrived.
This book wasn’t what I expected, but I had to ask myself, what did I expect? It sounded as if there would be a lot of drama and chilling suspense, but as a reader, I had to be glad nothing worse happened to Nellie during her undercover investigation of Blackwell Island’s mental illness facility. Not to say it wasn’t bad enough.
Ten Days is not a page-turner riddled with suspense. It’s not an easy read. For the most part, you’re being told, in a somber, wearying way, about the egregious reality of that time.
I found it a little jarring, too, at the end where she began on another mission to assess the predicaments women faced in seeking employment. And, of course, I thought it was over and really wanted it to be over by this point.
It doesn’t seem fair to say these things. The book was well written, and Nellie Bly’s writing style was certainly pleasant enough. She came across as an empathetic narrator, very kind and brave. In writing Ten Days, she did an outstanding service to us all. It was a courageous effort that needed a fearless warrior. She was it.
Further, it was a story that needed telling. Some people today take for granted all that our predecessors fought for and won. We think we don’t need women to stay on top of that, but we do.
I’m glad Nellie Bly wrote this book, and I’m happy I read it. So, kudos to Nellie Bly and a posthumous thank you for a job well done.
Sally Field is one of those people who notices her patterns and vulnerabilities and, as a result, digs deep for answers. Because of that, she continually evolved as an actress, as a woman, and as a human trying to survive all the madness. That type of constant transitioning brings wisdom and strength, but it also leads to unlimited capacity for empathy.
Sybil was the first movie of hers that I watched after having read the book. While reading In Pieces, I had to go back and watch Sybil again. The woman is brilliant, and I can tell you, after reading her memoir, she’s badass as well.
I never realized how many movies she’d been in—at least 38! It was fun to read about the filming of many of those because she shined in every single one that I saw—Norma Rae, Steel Magnolias, Mrs. Doubtfire, Forrest Gump. She even played Aunt Betsey Trotwood in David Copperfield—a made-for-TV movie adapted from one of my favorite novels.
If you are a fan of Sally’s movies, you will fall in love with Sally while reading In Pieces—the same way you fell in love with Sybil and Norma Rae when Sally became those characters on the screen.
Ms. Field wrote In Pieces herself and did a beautiful job of it.
At times, there were some unflattering things about others that I didn’t think were necessary. I wasn’t sure I’d be patient if that continued throughout the book. It didn’t. The more you read her words, the more you realize how fair she tries to be to everyone involved. Her kindness, her understanding, outweighs the need to point fingers and punish the people who inadvertently harmed her. It’s her raw honesty and accountability combined that leaves me in awe. She never tries to make herself look good or perfect or as if she is forever the victim but never the culprit. The rest is her truth, which she has every right to divulge. The “Me Too” revelations are merely a part of her incredible story because she triumphed over all of it.
In short, I liked this book from the beginning, and, by the end, I loved it.
Nobody would see the pain behind that beautiful Gidget smile of hers, but Sally Field has been so incredibly brave from childhood to this very day, and she has continued to grow more beautiful with time.
Ordinarily, even with what appears to be ADD, I can read several books at a time. My curiosity pushes me through. Following a recent injury and long recovery process, however, I found myself unable to get into reading and leaving so many books unfinished.
Then the anniversary of Matthew Shepard’s death came up—an unnecessarily cruel tragedy that affected so many of us. For whatever reason, I realized I wanted to know more about Matthew. Surely, he was more than this gay poster child that people murdered because he was different.
All my life, I’d heard people claim that those who were on a “different” path from what they interpreted as the “right” path are the evil ones. But when you see where hate for those who are different can lead, it’s hard to fathom that there is any worse evil than these self-righteous individuals who are so lacking in empathy.
We don’t need any more evidence, do we? And, yet, if we keep reading, keep watching, keep listening, we witness how unbelievably depraved “humanity” can get.
Still, I wanted to know this story, and, as a mom, I wanted to learn it from his mother—a person who truly knew and loved him.
Judy Shepard said so much in this book without making it, in the least, about herself. She seemed determined that Matthew was the focus, beginning to end, who he was besides that poor baby boy you keep hearing about every October. You think how awful, how sad, but we know so little about him.
Well, throughout this reading experience, Judy Shepard’s honesty floored me. Among other things, she divulged that Matthew wasn’t the saint the media portrayed. With whatever flaws he had, he was also lovable and sweet with a very kind heart. She had loved him wholeheartedly knowing exactly who he was, and this—this is the kind of love we all deserve. Not the type where loved ones put us on a pedestal we can’t possibly live up to, secretly detesting us when we fall short or blindly worshiping us for all the world to see. She knew her child. She knew that different kids had different needs, and, that, even with the heartbreak of specific hopes you have to put aside for this precious being you cherish with all of your heart, acceptance is critical.
Mrs. Shepard wrote this book so intelligently, so lovingly. I read it in just a couple of days, and I couldn’t put it down.
Fortunately, in this storytelling, we also see how beautiful humans can be. During this unspeakable tragedy, many gave their unconditional support to the Shepard family without hesitation and were capable of such unconditional love.
You know, I’ve often heard people say that it’s arrogant for a writer to think he or she can teach anyone by sharing a story. They are so wrong! This book was another reminder to me of how another person’s words, thoughts, regrets, and perspectives can make one stop and think. To feel something like, “I can relate to this or that,” or “Wow, that gave me new insight into something or another.” That is the beauty of reading.
We learn from anyone and everyone, and we are always teaching whether we mean to or not.
So, hopefully, after reading this heartrendingly excellent work of non-fiction, I have opened the mental corridors of my mind that allow for the processing of fantasy realms and old classics that can transport me instantly to the past.
If you’re planning to read the book, Thirteen Reasons Why, or watch the Netflix series, you may not want to read further. This blog does contain a few spoilers.
I became interested in the book, Thirteen Reasons Why, when a reviewer of my book, Shattering Truths, said that fans of Thirteen Reasons Why would absolutely love Shattering Truths.
It is true that we explore similar topics, even though the premises are different.
In Thirteen Reasons Why, Hannah Baker takes her life and leaves behind cassette tapes that retrace her steps and explain her reasons.
In case you haven’t heard, the backlash over Thirteen Reasons Why is the perception that the book glamorizes suicide.
Romanticizing suicide in art isn’t new. Did people want to ban Shakespeare? I’ve listened to Don McClean’s Starry Starry Night and Chord Overstreet’s Hold On —songtributes to suicide victims that inspire hauntingly beautiful imagery, and their lyrics have moved me to tears. Maybe there is something about giving up that most of us can relate to—the notion that if worse comes to worse, no one can make us stay here. At the same time, we are also filled with profound sadness over the depth of another human being’s despair.
Interestingly enough, I once wrote my own book about the aftermath of a protagonist’s suicide— not Shattering Truths but an earlier work. I was nineteen at the time. The editor I submitted it to felt readers would not find this character sympathetic because, as a suicide, he’d be considered psychotic. That bothered me more than anything else—the distressing mentality—the heartbreaking reality—that even in these modern times, people are uncomfortable with any mental instability and quick to reject it. I submitted it anyway. The publisher said they would be interested only if I changed the ending and had my character survive. I wouldn’t do that. My whole point in telling the story was that the guy died, and he shouldn’t have. I shelved the project.
At the time, I did romanticize my character’s suicide. I hoisted the guy up on a posthumous pedestal and became obsessed with his life and death. But I didn’t want to die.
Sorry (and not so sorry) to say, that as a poet, a writer, and an artist, I embrace all of it—the good, the bad, the pretty, the ugly, the dark, the light and the scary.
But I am also an adult who realizes that death is not pretty, and it’s likely to be quite lonely and painful. Nothing about Thirteen Reasons Why gave me the impression that it would be anything but lonely and painful. There was never a moment I envied Hannah Baker or wanted to be her—before, during, or after. What happened to her seemed anything but glamorous.
I’d go so far as to say the story makes it clear that taking your life is not the solution; that there is always hope. A few minutes, days, or weeks could make all the difference in the world. That hope is extinguished when your light goes out for good.
I also happen to think that people who hurt you don’t deserve to take anything more from you!
From my perspective, the book actually provides clear examples of how not to behave, how not to treat others. It brings to light how little thought teens give to how their behavior may affect someone else, although, this is also sadly true of adults. Some will live their whole lives hurting and punishing others without thinking it through, without ever trying to understand the people they target.
That’s one of the messages in Thirteen Reasons Why. We need to be kinder to each other.
No doubt, some people will read this book and see it all differently. They’ll see that Hannah is talked about more and with more sensitivity after her death. They’ll see that people feel guilty. They may think that would bring satisfaction, but true bullies who destroy other human beings are not usually the ones who feel guilty. They don’t have consciences.
To a lesser degree, Hannah Baker herself lacks empathy in this story and is rather self-absorbed. That’s okay. Victims don’t need to be depicted as saints. A character can be tragically flawed in fact, and still not deserve the torment. It is normal for a trauma survivor to go through a period of victimhood that includes a great deal of introspection and a degree of self-pity. She has a human response to a rude and painful awakening. Yes, trauma does quite a number on the psyche. It changes a person, causing behavior that won’t make sense even to the survivor. The point is, what happened to Hannah Baker should not have happened to anyone. It’s sad that she’ll never have the chance to heal and evolve beyond what she became, so it’s a story worth telling and worth telling right.
I’m willing to bet that most of us can make a list of at least thirteen people who screwed us over and/or possibly scarred us for life. Some of the reasons might be the same or worse than what Hannah Baker experienced, but, for most of us, suicide was never an option we considered.
We are all different. We have varying degrees of ability to cope, and those who are coping well may be at less challenging stages of the healing process. To some of us, a burden is a challenge, and we push back. No matter what happens, we keep pushing. But not everyone can do that. It’s not weakness, and it’s not for lack of trying. We are where we are. None of us have control over the circumstances we are born into or everything that happens after that. We can’t be sure why we take the paths we take or what we need to learn. Healing begins when we are ready. It’s a long, grueling process that, unfortunately, some people will never begin.
I think it’s safe to say that Thirteen Reasons Why will be triggering for certain people and not others.
There’s always a chance that any one of us will find something we read, see, hear, or experience to be triggering. But that doesn’t mean we should censor ourselves, as writers, or as artists. We can’t. We can’t shy away from controversial subjects or prevent others from having those important conversations. For those wanting to sue and to ban, do we really want to set that precedent? Where would we draw the line? Would we have to stop talking about rape, about murder, about mental issues, and about everything that could be triggering? I hope not!
A common complaint people have made is that the book doesn’t delve into the mental illness factor when it comes to suicide. No, it doesn’t. Thirteen Reasons Why focuses on raising the level of awareness for bullying/harassment/character assassination, etc. and depicting how the victim feels—how a suicide victim feels. Hannah, in my opinion, sought to educate the culprits. She may have wanted them to feel her pain, too, but more for their benefit, I think, than in retaliation. As a trauma survivor, I can relate to wanting to raise the level of awareness. Even if the people who need to hear it most are not listening, someone is. And making a difference to anyone at all is a great start.
It doesn’t mean we should ignore the mental illness factor in our conversations about this topic. According to the University of Washington’s School of Social Work, “Of those who die from suicide, more than 90% have a diagnosable mental disorder.
Mental Health America states that “substance abuse may be involved in half of all suicide cases with 20% involving people with alcohol problems”.
Sadly, families often have a difficult time acknowledging and accepting mental illness in a loved one. There is rejection, ridicule, even mind-boggling cruelty. For the person with issues, it leads to a social ineptness that only results in more ridicule and cruelty. The damage is hard to shake, and it’s heartbreaking because, with acceptance and unconditional love, a lot of the issues can be minimized or managed.
Shame is a key word here. Many parents and siblings are more concerned about what others may think. Are we sending a message of, I will not love you unless you are normal by my standards and anything less will be ridiculed and rejected? Are we teaching our “normal” kids to ridicule and reject?
The truth is, we have dangerous psychopathic narcissists running amok in this world, and they are considered normal by many. Meanwhile, people who struggle with things like autism, Asperger’s, bipolar, anxiety, etc. are met with skepticism.
I’ll admit, due to lack of acknowledgment/acceptance in my own life, it took me quite a while to realize and understand the problems I had with anxiety, OCD, and possibly other afflictions. I may never have realized if I hadn’t met some of the people I met along the way, people who had the same problems and steered me in the right direction. Awareness is key, and it helps to learn as much as you can about what you’re dealing with. It is a lifetime struggle with good days and bad, but it can keep getting better.
So, in light of all I’ve stated above, I believe Thirteen Reasons Why, is a profound experience for the reader. I felt like a part of the story, swept right in and completely absorbed, turning page after page. I loved the powerful descriptions of how the characters felt in critical moments. The book, written straight from the heart, shows compassion in abundance, and it brought me to tears.
Co-protagonist, Clay Jensen, in fact, shows considerable empathy while listening to Hannah’s tapes. He wants to understand what happened to Hannah. He not only forces himself to listen to every excruciatingly painful word—he follows her instructions, putting himself in her place and allowing himself to feel what she felt.
Imagine living in a world where everyone sought to understand one another like that! That would be beautiful indeed!