Brave Wings is a new online magazine that focuses on the human condition—whatever we experience in life that helps us learn, grow, and evolve. Sharing perspectives about healing and empowerment can be exciting and helpful, but we also want to provide entertainment and fun while sharing the beauty of creativity.
For entertainment, we are interested in short stories and book series (all genres). We’re interested in humor.
For creativity, we may be interested in photos, handmade products, something that showcases your talent.
Content for submission will include blogs, videos, audios, slideshows, and photographs. Please see the submissions page for instructions on how to submit!
We will not pay for submissions at this time. However, we will always share your work on our social media sites, and we encourage all contributors to share magazine contents submitted by others on their social media sites. Helping one another with exposure is what will make this site work.
In addition, we will provide the following for all contributors to the magazine:
A listing in the contributor section, where more information (links, etc.) will be added with each contribution. The most frequent contributors may also have a few of their books, products, or recommendations in the listing.
The opportunity by contributors to submit news that provides opportunities for artistic communities, as well as their own business events and significant personal news, all of which we will share on our social media sites.
Access to the chat room (as a moderator, if they prefer), and the ability to hold monitored topic meetings to promote their talent/business.
For those privileges, you must be a regulator contributor. There are no deadlines. However, you must have contributed at least twice with acceptance and publication.
We do intend to have a community that includes a discussion forum and chat room where we can present topics hosted by contributors.
Our Announcement page will provide news of available opportunities within the artistic communities, including contests and contributor events.
We will post book reviews that are submitted by contributors, but we don’t assign books for review.
We will post interviews by our contributors if they are relative to our platform. If you feel you are a good candidate for an interview, contact us at firstname.lastname@example.org.
If this venture is a success, we may eventually monetize and pay for content.
For those interested in getting involved, we may also need editors, site moderators, group moderators, page moderators, etc. who will have contributor status. Those most involved will be given domain e-mail addresses for the magazine. We have four more available, so if you love this idea, the opportunity is there to get as involved as you’d like.
Another thing I’m tossing around is whether we’ll have a group or newsletter for interested parties, so please, please, weigh in with your thoughts about everything! All suggestions are welcome!
Please enjoy this guest post by author, James Gault, and feel free to share your thoughts.
Name of Books :
Hard Times, by Charles Dickens and Ogg by James Gault
The beginning of Dickens’ Hard Times, where we hear Mr Thomas Gradgrind’s speech to the pupils of the school. ‘NOW, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!’
from Hard Times by Charles Dickens
Ogg and Antonia have been transported in time and place to a shady night club in fifties USA. A squat balding fifty year old tuxedo with a cigar stood before them. “You havin’ a good time? I ain’t seen you ‘round here before.” “We’re from out of town,” Ogg drawled, and Antonia choked on her sparkling water. “Well, you sure picked the right place for good entertainment. I’m Harry. Harry Biaggi. This is my joint. D’ya like it?” “Well, yeah, Harry, I do. It’s a real nice place you got here.” “We try to be classy. Howd’ya find us.” Harry snapped his fingers as he said this and a bow-tie appeared and slid a seat under him. He sat down.
from Ogg by James Gault
If we read the opening few pages of Jane Austin’s Emma we see a common way for authors to introduce characters. Emma’s family, biography and character are presented to us in intimate detail, and before we start her story we feel we know her like a good friend already, and we can sympathise with her successes and failures and feel the delights and angst which follow. For this particular novel, the detailed early establishment of the character is important because the author needs to arm us with the tools to judge Emma.
This kind of approach to characterisation is out of fashion now: it slows up the action and needs inspired writing to keep the reader’s attention, and is especially distracting for any but the very main characters.
Nowadays, we expect to discover our characters rather than be asked to judge them. We expect to get to know the characters slowly as we read their story. We form first impressions, then we develop these impressions and sometimes we misjudge and need to correct our assessments. The discovery of the characters is as important to us as the development of the plot. The characterisation is drip fed to us, and the personality of each individual has to permeate each part of the story.
For protagonists that first impression is of prime importance, while for minor roles it is the only information we get. So we expect the author to imbue our first meetings with the characters with indications of what kind of people they are: by what they say, by what they do or by both.
The excerpt from Hard Times is only six short sentences of dialogue, but how much does it tell us about the speaker? He is self-opinionated, he at least claims to be rational, he expects to be listened to and obeyed. He speaks in short sharp sentences, in commands and assertions. No debate is permitted. We don’t know what he looks like, we don’t even know his name, but already we don’t expect we’re going to like him very much.
In the second extract, all the elements are employed to create an impression of Mr Biaggi: description, dialogue and actions. All of this is condensed into a short dialogue. Biaggi is presented as middle aged and overweight but well dressed. He has the strong accent of a man from the gutter who has made it to the top – others jump to satisfy his every wish. But he also has an aura of feeling inferior: he is anxious to please and be liked and appreciated. In the novel his is a walk on part, we never meet him again, but he leaves an impression and sets the tone for what follows.
The point of both extracts is to note the denseness of the character information which is presented at the same time as the plot is developed. The reader has to work hard to catch all the points, but the ongoing development of the story never flags. This is what I am calling Concise Characterisation.
About the author:
James Gault, born in Scotland, has recently retired to SW France after spending ten years in the Czech Republic. There he enjoys the sunshine, writes novels, short stories and English Language textbooks.
He also produces the on-line literary magazine Vox Lit with monthly notes by writers for writers and readers, news, features (short stories, poems and extracts from novels.)
He has written three novels, all available on Amazon as e-books and paperbacks:
Teaching Tania (Young Tania tries to put the world to rights with the help of her English teacher – a comic detective story)
Ogg (Supernatural being tries to teach teenage Antonia how to think rationally as they try to save the world from destruction – comic philosophical thriller)
The Redemption of Anna Petrovna (Young woman in ex-communist country tries to build a career in a totally corrupt society – political psychological thriller
He is currently working on a detective thriller set in Scotland, France and Spain.
As well as ELT books and his novels, he has written short stories published in various reviews and magazines. In 2007, he won the writing prize from the British Czech and Slovak Society for his short story ‘Old Honza’s Day Out’.
In his time James has been an IT specialist, a businessman and a teacher as well as a writer, and has traveled extensively throughout Europe. He has worked with and taught English to students of many nationalities. He has an international outlook on life and his writing reflects both this and his other interests.
Apart from writing, his passions are politics, philosophy, film making, computer system development and his grandchildren.
The British Music Invasion that began many decades ago thankfully never stopped. This video is a tribute to those bands, past and present. Be patient. Whoever made this video saved some of the best for last. If I didn’t finally see The Who and The Beatles by the end, it wasn’t going to be the video I chose for this blog. (WARNING: It’s loud, so if your headphones are as good as mine, you may want to lower the volume.)
Yes, I love the accents, too.
I fell in love with English literature next, while still in high school. I greatly admire Charles Dickens, Charlotte and Emily Brontë, George Orwell, William Shakespeare, Jane Austen, Lewis Carroll, Arthur Conan Doyle, Mary Shelley, D.H. Lawrence, and now J.K. Rowling (just to name a few HA HA).
I must also include the poets—Percy Bysshe Shelley, Lord Byron, John Keats, Rudyard Kipling, William Wordsworth, Elizabeth Barrett Browning, and William Blake (just a few again).
Of course, I do like American literature, just as I like American bands. (I’ve been a huge Motown fan since the age of ten.) There is so much talent to appreciate in this world, but I’m touching on what resonated with me above all.
I haven’t tried a lot ofBritish food, but we once had a place in New York City called David Copperfield’s. Since they had named the place after one of my favorite books by Charles Dickens, I had to check it out. They had a few English dishes. I think I had Bangers and Mash. The place closed and then reopened on the upper west side serving a hundred kinds of beer and mostly bar food. I’ve never been to that one (not a beer or bar person), but it probably closed again.
Lastly, I have heard of the many beautiful places in England. I’ve seen incredible photos. But despite the yen, I’ve never been there—to the place I have always wanted to see more than anywhere else in the world. Maybe I’m afraid once I get there, I will never return.
Among my favorite teachers was one of the two male teachers in an all-girl high school. He taught English, my favorite subject. In junior year, he took our class to see the Christmas show at Radio City Music Hall. The original black and white version of A Christmas Carol featuring Alastair Sim was part of their holiday spectacular.
Though I saw the movie decades after its original release, I found this old 1951 trailer for the film rather interesting.
Dickens painted Ebenezer Scrooge sympathetically and quite vividly. I fell in love with the spirited imagination of Dickens in all of its brilliance, his extraordinary larger-than-life characters, and the potent messages behind every one of his tales. My love of 19th-century British literature began, along with an ongoing yen for England. I was sixteen years old.
It may have been Oliver Twist that I read next. I recall being shocked by the harshness of this child’s reality.
By the time I turned 25, my love for Dickens knew no bounds. I named one of the two dwarf parrots I owned “Pip” after Philip Pirrip, the protagonist in Charles Dickens’ Great Expectations. I named the other one Nicholas after the character in Nicholas Nickleby. I had a fish tank I called “Copperfield Gardens” in homage to the hero of the Dickens’ book I loved most, David Copperfield. David, with his courage, strength and beautiful, benevolent heart, triumphed through one heartbreak after another. In this version, below, he was portrayed by a very young Daniel Radcliffe, better known to all as Harry Potter.
The same year I got the dwarf parrots, a precious friend from England gave me a miniature book of Dickens’ life story as a Christmas gift. I moved several times over the years, and this little book has always made it back onto my bookshelf. I loved reading about the man behind the fascinating tales.
Charles Dickens was already famous when he helped injured passengers in England during the 1865 Staplehurst train crash.
I saw, in Dickens, true heroism in the face of disaster and everyday heroism, as he was a tireless champion for the oppressed.
This final video is fitting in wrapping up my tribute. It’s my favorite song from the 1970 musical version of A Christmas Carol with Albert Finney in the role of Scrooge. In future visions foretold by the third visiting ghost, a town celebrated Scrooge’s passing singing, “Thank You Very Much.”
I also thank my beloved Dickens for his incredible contribution to the world, for all the inspiration, and for truly enriching my life.
Some of my favorite Charles Dickens quotes:
“Not knowing how he lost himself, or how he recovered himself, he may never feel certain of not losing himself again.” ― A Tale of Two Cities
“I wear the chain I forged in life….I made it link by link, and yard by yard; I girded it on of my own free will, and of my own free will I wore it.” ― A Christmas Carol
“I have been bent and broken, but – I hope – into a better shape.”
“A day wasted on others is not wasted on one’s self.” ― A Tale of Two Cities
“Give me a moment, because I like to cry for joy. It’s so delicious, John dear, to cry for joy.” ― Our Mutual Friend
“I hope that real love and truth are stronger in the end than any evil or misfortune in the world.”
“No one is useless in this world who lightens the burdens of another.”
“Have a heart that never hardens, and a temper that never tires, and a touch that never hurts.”
“Never,” said my aunt, “be mean in anything; never be false; never be cruel. Avoid those three vices, Trot, and I can always be hopeful of you.” ― David Copperfield
A few years ago, when I began my literary fiction series, I chose New York City as the setting for my story. I was born and raised in Woodside, Queens, New York, so it seemed the obvious choice. I soon realized this was not the story I wanted to tell. The determination to write since early childhood had nothing to do with wanting or needing to tell my story. Fantasy drew me in, and I loved a challenge. Somewhere along the line, I became stuck in reality, and this created limits in the limitless realm of fiction.
I decided to find a different setting for my story, a place I’d never visited. I chose Glastonbury, on the banks of the Connecticut River. I would visit there eventually and numerous times but only after I created it first in my mind. Of course, these days, we have the Internet for research—images, maps and that little yellow Google person. One could travel the roads and study the map while sitting in a comfortable office chair drinking coffee, which I did.
This past Sunday was my first “actual” visit. I traveled there with my sister, Denise, my son, Jesse, and my nephew, Christopher. We decided we would go to Hartford first, which is about twenty minutes from Glastonbury.
We set out at 9 a.m. on the most beautiful September day. After an hour of driving, we stopped for breakfast at Cracker Barrel Old Country Store in Milford. Christopher tried the apple streusel French toast breakfast. Jesse had a bacon cheeseburger. Denise and I ordered scrambled eggs with biscuits.
Now, Jesse never wants photos of him on the Internet, which I thoroughly respect. He took these photos at Cracker Barrel, except for the goofy one where I tried on the cowboy hat. Denise took that one while Jesse watched Christopher take videos of a toy pig singing ‘Wild Thing’ and a toy dog singing ‘Dance to the Music’.
Our arrival in Hartford was at least an hour later.
We bought tickets for a tour of Mark Twain’s house and poked around the museum until it was time for the tour.
I was thrilled at the first glimpse of Mark Twain’s Victorian Gothic revival home. I could see why this place was so special to him. (As an aside, the guide usually referred to Mark Twain as Samuel Clemens, Mr. Clemens or Sam. As I am sure most people are aware, it was his real name.)
When we went inside the house, the guide asked that we refrain from taking photographs or touching anything except the banister while walking up and down the stairs. I must say, the décor is impressive. I loved the ambiance, particularly in the cozy library, which faced a conservatory that had a fountain and lush plants. The interior of the house remains dark for the tours because the Clemens family had gas lighting when they occupied the home. I love dim lighting, but I imagine this much darkness can become dreary, not to mention a little spooky at night, going up and down those stairs, probably with a candle. It prompted me to ask about ghost stories. The guide informed us that people claimed to have seen the ghost of Susy Clemens, the oldest daughter. She died alone in the house, from spinal meningitis, at the age of 24. Employees also made claims that the butler’s ghost continues to work there. We learned that the show ‘Ghost Hunters’ featured the house. Apparently, there are ‘Graveyard Shift Ghost Tours’ that sell out quickly, so tickets must be bought in advance.
Some people in attendance were not thrilled to hear about the ghosts. I hadn’t thought about that since I don’t seriously believe in ghosts. Denise reminded us of the time we all walked through the haunted maze at Bayville Scream Park. While searching frantically for the exit, I said (loudly) there was no way out, then suddenly all these kids were crying hysterically. Their parents had to assure them there was an exit somewhere. It’s a good thing I believed in ghosts when my own son was a child. I was less oblivious to people’s fears and concerns about ghosts and other creatures that likely don’t exist.
The tour, while quite interesting, took much longer than they said it would. Through most of it, I didn’t focus on our confinement to a relatively small space where only three people weren’t strangers. Toward the end, this reality became painfully obvious. I wanted to ball gag anyone who asked another question.
Outside on the grounds, we took more photos. I came up with the unoriginal idea to pose with a book, since I like those seemingly candid shots of authors reading books. I am still laughing about this. Denise (and even Jesse) took a dozen photos like that—me reading on the grass, on the steps of the museum, on a bench, etc. Everyone made me laugh with funny comments about these “photo-ops” especially since I hate photos of me, let alone sharing them on social networking sites. During the last attempt, Jesse thought he had the perfect shot when Denise came over and said, “Still with the book?” I lost it and laughed hysterically in the only picture you will see of me with the book. It was the way she said it. She is funny. They are all so funny. Christopher later decided he, too, wanted a picture while reading a book. It became a thing…a silly thing. Silly is good.
Here are a few of the photos, which include some other houses on the property, like Harriet Beecher Stowe’s house. The Twain and Stowe houses are captioned at least one time.
I am including the link for anyone who would like to see the interior we could not photograph and some other interesting links.
By the time we arrived in Glastonbury, it was late afternoon. It was not easy to find certain places, and we often found ourselves on private property during the search. One or two of us got out of the car anyway, camera in hand. Jesse said we should have brought bail money. He wouldn’t budge from the car.
We drove around in circles trying to find the entrance to Shoddy Mill Coon Hollow’s pristine woodlands. That didn’t happen. The one person we asked sent us to the wrong place, though we thoroughly enjoyed the scenic drive through the woods of Kongscut Mountain Open Space and Mountain View Estates. It was gorgeous, but we didn’t take any photos. We were too busy looking for Shoddy Mill Coon Hollow.
Glastonbury is a pretty place. I wish we had more time to capture this in photos; however, it was great to be there. We did more laughing than anything, but that’s the best part of any trip. We had fun.
These are photos of my main character’s neighborhood (which is a bit too close to the cemetery). She attended Smith Middle School. Addison Park was part of her childhood.
Here is a link to the preserve we were looking for (Shoddy Mill Coon Hollow).
On the way back to New York, we saw the most incredible sunset. Denise loves to photograph sunrises and sunsets, but she was driving. I took a picture for her with her phone, except I never heard the click. I thought it didn’t work the first time, and somehow she ended up with I don’t know how many pictures of that sunset.
She was busy deleting sunsets at Red Lobster while we ordered our food, scolding me. We all joked. We were home in New York by then and starving. We savored every bite of our meals. Eating is part of the fun, too, isn’t it? Besides, we ran out of Twizzlers in Hartford.
As I read Peter Cottontail to my son for the third or fourth time, feeling a bit tired, I bungled a line.
He said, “No, mommy, he lost one shoe amongst the cabbages and the other shoe amongst the potatoes.”
Yes, that is important! I hugged him dearly for that.
It was quite an improvement from six months earlier when he ripped Alice in Wonderland to shreds.
I wanted to be a relaxed, nurturing parent. I did not want to raise my son in a palace of dangers. I childproofed. I permitted him to take books from the bookshelves, sit in a pile of them and explore. When he tore up the book, that party was over. I had to tell him only once, because he knew already, I was reasonable and always for him, on his side. I taught him, we love books. We respect books. We read them. We enjoy them. We never destroy them, and we never crush the spirit of their creators.
The love affair with books began in my own childhood. I fell in love, first, with writing and reading. Writing is still the love of my life.
The fantasy genre inspired me – Wizard of Oz, Pinocchio, fairy tales. It provided me with a much-needed escape from reality.
As I grew, the books I cherished most fit into the category of literary fiction, which is reality-based and generally more profound and philosophical. However, I never heard the term ‘literary fiction’ or all this talk about genres. Many people are still confused about it and have no idea what literary fiction is. I was confused myself.
I struggled to categorize my work. Yes, there is a love story. There are quite a few. There is a psychologically thrilling mystery. There are many of those. Yes, it is dark and intense with elements of gothic fiction and quite a bit of horror, but the ongoing saga does not revolve around any particular theme. Do you know why? It is literary fiction.
Literary fiction is pretentiously termed ‘serious’ fiction, though that could be misleading. It indicates a profound work with literary merit, a celebration of language, a critically acclaimed classic. However, genre fiction can also be poetry in motion and a work of art worthy of acclaim.
If I have to answer as to whether I am working on ‘serious’ fiction, well if it means painstaking torture, yes, I am quite serious, and this is as serious as it gets.
The well-constructed plot in literary fiction should be riveting, but it is not the focus. Literary fiction has a slower pace with many rewards for your patience along the way.
It is character driven with well-developed, introspective characters. The story is about the character’s journey. We become emotionally involved in his or her reality, the struggle, the challenges, the losses and triumphs. We glimpse into the character’s psyche, experiencing the love, the hate, the joy, and the pain. Works of literary fiction are good human-interest stories that move and inspire those of us fascinated by the human condition. Genre novelists can create deep characterization, but this is the hallmark of literary fiction.
Literary fiction defines some of the best books ever written: Wuthering Heights, Pride and Prejudice, David Copperfield, Frankenstein, Dracula, The Iliad, The Odyssey, Rebecca, Little Women, 1984, Brave New World, Anna Karenina and many Shakespeare tales. The list goes on. My favorite authors, including Charles Dickens and the Bronte sisters, wrote literary fiction in classic Victorian-style, which I love with all my heart.
I believe creative work in every category has potential for greatness. I have yet to find a genre unworthy of respect. I don’t think we should make fun of people for enjoying some nonsense book or series where the writing isn’t up to par. As professionals and critics, we may seek a certain quality, but I am of the opinion, if there is a mass audience for a book or series, and it made scores of people happy, it has earned its place in the world of literature. I am simply another writer in an endless sea of writers and one of billions of readers. It doesn’t matter whether I like it. Readers, by consensus, have the final word.
Here is the bottom line for those of us who share this passion: books are a treasure. I feel fortunate in a world of books. I am infinitely grateful. I am giddy with delight. This is our inspiration, our high, our bond. There is plenty of room for everyone, and I am beyond thrilled to be on this journey.
I would love to hear from you about what you love to read or write. In the meantime, enjoy these videos as part of my celebration of literary fiction with an appreciative nod to all genres.