TRUE TO THE BOOK CHARACTERS?

Some members of certain fanbases become enraged over the casting of their favorite book characters in adaptations or retellings of the original. Often enough, it doesn’t have to be a favorite character or one they care about. It’s the principal of the thing, they’d say. They don’t welcome change. Disney stories, including Star Wars, seem to be at the top of that list. Seeing fans direct their anger and vitriol at the actors portraying these characters is sad and, frankly, inexcusable.

This topic came to mind because I’m working on a fantasy/horror series—something I’ve always wanted to do. (For whatever reason, I had to get all the other stuff out of the way—the stuff that was haunting me.) I created a slew of characters for the series.

Interestingly, authors now lean toward briefer character descriptions in many genres. Every so often, I’m reading a thriller where the author never describes the characters physically. Me? I like depicting my vision of people and things. However, if I were to have my work chosen for a film adaptation, I’d simply want the first film version’s casting to have the same effect I aimed for with my book characters. For example, I’d prefer the character to be as likable or unlikable as I’d intended, with the right amount of sex appeal and charisma regardless of their hair, eye, skin color, etc. Of course, I’d prefer creative oversight, but that goal would apply either way.

In further retellings, I’d want whoever puts one together to go with a version that feels right for them. I’d say, let your imaginations run wild! The original is always there for anyone who prefers it.

I celebrate diversity. What’s wrong with learning from and about each other? And who can deny that all people, especially children, need positive and accurate portrayals of themselves in books, film, and every other medium? That’s even more critical for underrepresented groups in our society. Inclusion, in a good way, is crucial to one’s self-esteem. 

So, I’m okay with having a brown or black person playing the part of a character described in the book as “having the fairest skin of the land with skin as white as snow.” That was just a physical description. It has nothing to do with the plot. I don’t care if some fable was a Danish tale, and the assumption by a person who isn’t even Danish is that the character should be blah blah blah. We’re talking about fictitious characters here, so I’d need far better reasons to complain. Like an ethnicity, race, gender, or sexual orientation changed or unchanged to provide representation for the underrepresented. And like when it’s essential to the story that a person be this or that.

It’s important to note that sometimes, with casting, you get to see a more appealing, more powerful character than the one from the book. Apparently, when Stephen King saw the film Stand by Me based on his novel, The Body, he was completely blown away. He was speechless, I read, and when he found the words, he said it was the best adaptation of any of his works. I don’t know if his impression included the film’s cast, but I think so because those kids were amazing!

I read, too, that, at first, Anne Rice wasn’t pleased with the casting of Tom Cruise as her beloved Lestat in the film adaptation of Interview with the Vampire. Lestat was her baby and based physically on her husband, who passed away. I can understand that. As a fan, I can say that Tom Cruise was not how I pictured Lestat, but I felt he got the effect she was going for with that character, and he did a good job. Evidently, Anne came to the same conclusion.

I was never going to be disappointed that the teenage Armand from The Vampire Chronicles got ditched for Antonio Banderas. I’m not sure what Anne Rice thought about that, but I can understand how it was quite a leap for some. In at least one version of Armand’s story, he was distressed that Marius had turned him into a vampire when he was so young. In the Interview with the Vampire, he appeared livid about Claudia being a vampire child for the same reason. So yeah, the casting of Armand in that movie could be a legitimate beef. It was a substantive change. At the same time, Armand was a relatively minor character, and it’s not as if he needed a reason to find turning a child into a vampire unacceptable and appalling. Or maybe that was an excuse because he wanted to get her away from Louis and have Louis all to himself. 🤔

But then, again, Antonio. 🔥🔥🔥

He gave us an excellent and entertaining performance.

The bottom line is that we should have fun with all this stuff and enjoy things as much as possible, and some people could be more lighthearted and open-minded. There’s no reason for anyone to get their knickers in a twist, and certainly no reason to be mean.

That’s just what I think, so what do you think when it comes to the casting of your favorite characters? Were there disappointments? Pleasant surprises? As an author who creates characters, I’d love to know.

Black hair Ariel image by John Huxtable from Pixabay

Top image of male fiction character by u_sqyc105ho4 from Pixabay

Antonio Banderas gif from https://media.giphy.com/media/ZOuFj6MYyPL9e/giphy.gif

SOME GREAT BOOKS I’VE READ THIS YEAR 😊

“You don’t have to burn books to destroy a culture.
Just get people to stop reading them.” – Ray Bradbury

I promised a few people I would blog about my year in reading.

My Goodreads goal was 52 books in 2022. Goodreads gives me credit here for having read 53 when last I checked, but I’m at 54 now. It takes them a bit to catch up. Most of the books are psychological thrillers, but there are a few other genres.

Here are the books I gave a five-star review:

Cruel: A Dark Romance Psych Thriller (A Necrosis of the Mind Duet 1) by [Trisha Wolfe]
Brain Damage: A twisted psychological thriller that will keep you guessing by [Freida McFadden]
Say Her Name by [Dreda Say Mitchell, Ryan Carter]
Want to Know a Secret?: A jaw-dropping psychological suspense thriller by [Freida McFadden]
Suicide Med: A gripping psychological thriller by [Freida McFadden]
The Housemaid: An absolutely addictive psychological thriller with a jaw-dropping twist by [Freida McFadden]
The Inmate: A gripping psychological thriller by [Freida McFadden]
Dead Against Her (Bree Taggert Book 5) by [Melinda Leigh]
Stone the Dead Crows (The Saeed Sharif Standalone Thrillers) by [Carrie Magillen]
When He's Not Here (The Saeed Sharif Standalone Thrillers) by [Carrie Magillen]
The Moonlight Child by [Karen McQuestion]
The Yoke and the Noose by [Kieran Higgins]
In the Waning Light by [Loreth Anne White]
Fear No Truth: A Faith McClellan Novel (The Faith McClellan Series Book 1) by [LynDee Walker]
DON'T LIE TO ME (Eva Rae Thomas Mystery Book 1) by [Willow Rose]
Dawn Girl: An absolutely gripping serial killer thriller (Tess Winnett) by [Leslie Wolfe]
Until I Met Her (Emma Fern Book 1) by [Natalie Barelli]
After He Killed Me (Emma Fern Book 2) by [Natalie Barelli]

Obviously, my favorite author of the year is Freida McFadden. There are many I’ve come to love, and Carrie Magillen is also at the top of that list.

I’ll post just a couple of my reviews.

Stone the Dead Crows (The Saeed Sharif Standalone Thrillers) by [Carrie Magillen]

This is the second book I’ve read by this author. The first, When He’s Not Here, I rated five stars.

Now, this one, I wasn’t sure what I’d rate it for a couple of reasons. First, I figured out exactly what would happen when I was about halfway through. (I wonder if that’s to my credit or if others would figure it out just as easily). Then again, is that so bad?

Second, the story deals with narcissistic and domestic abuse and gets into so much detail at a couple of pivotal moments that it almost seems to turn from fiction to non-fiction. Those subjects are important, though. I was into it, and, as far as I’m concerned, the more awareness created, the better.

The writing itself was beautiful, especially her descriptions of the surroundings. The story was riveting, and I couldn’t put it down. I read it all in just two days, and despite my figuring out the upcoming twists, the way she executed it was brilliant. So, near the end, I thought, hmm, should I give her a four or a five? Then I read the last few pages and HAD to give it a five. Well done! 

*****

Bloody brilliant! And I never say bloody anything. As disturbing and unsettling as it was in general, it was a well-written page turner, so cleverly constructed. I’m thirsty for more. 

A few words…

According to the literary statistics, 2022 has been a banner year for reading all around. That makes me happy not only because I’m a writer marketing books but because it’s a joy I want everyone to experience. For me, it’s been one of life’s greatest treasures, a passion I’ve felt privileged to have.

I have fond memories of trekking to the library with friends as a kid. On the way back, we bought french fries from the fish market, ate them along the way, and then settled on my stoop to read. It started with the Wizard of Oz, Alice in Wonderland, and Pinocchio, all so thrilling and magical.

I looked forward to ordering books during the school book sales. Narrowing it down to the books I wanted most was tough since my list was so long. On the day they arrived, the teacher arranged them in front of the classroom for all to see, and they were just beautiful with their gorgeous covers. I couldn’t wait! Then, holding the new books in my hands! It was a feeling I find hard to describe.

My English teacher introduced us to classics like Nicholas and Alexandria in high school. He took us to see A Christmas Carol at Radio City Music Hall, where my love for Charles Dickens began. I went on to Wuthering Heights and Pride and Prejudice with a burgeoning passion for 19th-century British literature. I loved gothic settings, too, time travel, and the days of the Roman Empire.

The truth is, no matter what you read, it’s bound to be good for you, and it’s easy when you find the genres and authors you love. In fact, like meditation or a day at the spa, reading is one of many ways to practice self-love. It takes you out of your world and into someone else’s mind, heart, and universe. You get comfortable in your favorite reading spot by the fire or under the covers. You relax with a book or even your phone. (I’m always reading on my iPhone Kindle.) You cast any troubles aside and simply surrender. It’s “you” time.

“What better occupation, really, than to spend the evening at the fireside with a book, with the wind beating on the windows and the lamp burning bright.” – Gustave Flaubert

For me, that escape to another time and place, learning about different people and things, is a lot of fun, like traveling in your mind. Whether you’re a writer or not, the stories inspire you. It’s good for the brain, warding off cognitive decline, and it often helps me fall asleep! 😉

Back in my school days, teachers would tell us we could increase our vocabulary by looking up words we didn’t know. That’s true as well.

And one of the best things about reading is the opportunity to empathize, even in a fictional situation.

When I became a parent, I often took my son to the library. At the time, I was looking for horror fiction, and he was looking for books about Jupiter!


It’s a wonderful thing.

“When I look back, I am so impressed again with the life-giving power of literature. If I were a young person today, trying to gain a sense of myself in the world, I would do that again by reading, just as I did when I was young.” – Maya Angelou

Image by Pezibear from Pixabay 

Reading nook in big library feature image by Prettysleepy from Pixabay 

Both Dickens Images by Prawny from Pixabay 

Wizard of Oz – Image by neotenist from Pixabay 

London Victorian era Lady dressed in black Image by Happy New Year from Pixabay 

Vintage Victorian ladies Image by Oberholster Venita from Pixabay 

Gothic romance – book, rose, black gk Image by Dorothe from Pixabay 

A STRANGE AND PEACEFUL NEW WORLD (short story)

I never write short stories; this effort is the first, only, and maybe last I will ever do. The initial version came to me decades ago, when I was so young, but I later found it and rewrote it for my son. It was just a fun thing I decided to do, so I hope you enjoy it.

A STRANGE AND PEACEFUL NEW WORLD

Employing the latest holo-vision technology, top scientists on planet Obelus had fully monitored the Earth’s predictable decline. It was as if they had a front-row seat to a horror flick.

Arsenal, biological, and eventual nuclear warfare had prevailed for several Earth weeks. They experienced flooding, drought, landslides, and elevated levels of carbon in the hot, dry atmosphere. The few survivors lived in primitive darkness surrounded by fires and billowing smoke, breathing toxic air.

That was hundreds of years ago. Most of the survivors went insane, and, sane or not, they turned on each other.

On this particular day, Seren Heddle, one of the most famous scientists on Obelus, was there in the flesh. His brilliance had prompted the aristocracy of his native land to have him visit and observe the new Earth. At his side was the beautiful Alula, with whom he’d been obsessed ever since she came to work with him. They wore full body suits, rugged shoes, gloves, and safety visors, but underneath it all, Seren was a slight, five-foot-six inches with verdant green hair and eyes like topaz jewels. The shapely Alula, only a tad shorter than he was, had bits of silver stardust sprinkled through her lavender mane, which was straight and smooth to create an elegant frame for her feline face. Hers were the eyes, nose, and the clever snickering grin of what was once the Earth’s cat. She was a hybrid version of the feline species trained to scout on Earth and other planets.

Before them, grey steel buildings and factories stood amid tree stumps on barren lands of eroded soil and mud-filled puddles. The noise level was hard to bear, so dwellings and workplaces contained stone walls for better insulation. Experts planned for reforestation, hoping new trees would come to life within the next few decades.

“We had hoped to intervene,” Seren said with a slightly guilty conscience. “But, from all we’d heard and observed, many earthlings fear and demonize alien entities of any variety.”

Alula shrugged, as he’d said this before, many times. “Perhaps if we reflected their own images and perceptions, they’d have welcomed us with a champagne and truffles gift basket,” she joked.

Seren nodded. “They are that way with people in their homeland, too, and yes, terrified by ‘creatures’ from outer space, but, truth be told, they’d never even heard of Obelus.”

“Oh, right,” said Alula. “The astrologist scalawags pretended our planet didn’t exist, though they knew it was there all along. They tricked earthlings for centuries with their corrupt pseudoscience.” Obelus was huge and took up quite a lot of sky space for an ignored constellation, she thought. It held the second-closest star to the earth!

But earthlings had had much more to worry about than a world shaken by the revelation that the sun’s position, when observed from Earth, was not aligned with the arbitrarily defined planet they thought it was on the day they were born. 

You see, the last original human survivor, Mason Guthridge, was a scientist who’d built himself an elaborate bunker city and didn’t invite anyone else. He’d decided that only uniformity could create a world without jealousy, elitism, and hatred, so he decided to clone himself ad infinitum and lived underground with his clones, waiting for the remaining humans to expire before returning to the surface. His clones, male and female, were called dittos, and the dittos had plastered his photo on billboards throughout the planet, Mason was bald, with a circle of reddish hair above his ears and a walrus mustache. Aside from having a full head of hair, lacking the walrus ‘stache, and having different physiological ‘equipment,’ the females looked like him, too. Dittos had only the slightest variances in appearance and were about the same weight since limited resources had them all on a rationed diet.

“The man is a hero!” Seren marveled. “The wave of negative energy that once seemed the driving force here has dissipated!”

Alula nearly gagged. “Only a narcissist would clone himself even once, but enough times to populate an entire planet?!”

Seren begged to differ. “It’s marvelous, I tell you. There is no way to detect who is superior upon sight, and neither can one determine from where the dittos originate.”

A look of displeasure distorted Alula’s flawless face. “Seren, it could get so chaotic. There can be no attraction toward one another.”

With a bright smile, he shook his little head. “No, Alula, that is not true. No one is prettier or more handsome as to inspire jealousy, turning twisted envy into angry and hurtful vengeance. The dittos communicate without consciousness of the physical self and form opinions then ultimately relationships, based on hearts and souls connecting. Each has only his or her inner being to offer, and only by that can he or she be judged.”

Alula yawned before countering, “Okay, if they, Guthridge, or anyone else here truly was a genius or had any brains at all, they wouldn’t need such a preposterous solution in order to accept one another, differences and all! Want to know why this is insane? I’ll tell you why. Life, this way, is impossible! Suppose I was to converse with a gentleman and hoped to run into him again. How would I recognize him? Infidelity must be a common problem.”

Seren shook his head. “The meetings and arrangements are discussed, as are ways of how and when to contact. That is good, for if one wants to meet with you or have you contact, he can voluntarily instruct you. If he or she does not wish to see you again, it is marvelous, for the individual can, simply, withhold the information, and you never could harass the person. It would be difficult.”

“That is not likely to discourage infidelity.”

“I assure you, Alula, it is not a problem, for the mates are in heart and soul exclusively. Nothing is worth the risk of losing what they’d found.”

“That’s fine,” she allowed, “but how would I know if I’d like to converse with someone passing by and possibly get to know him?”

“Well, the signal for approach is always a beep, but you are not an earthling and therefore not equipped for beeping.”

Alula kicked some nearby rocks. “That is just stupid.”

“Why is that stupid, my lady?”

“It’s stupid because how does one know if he or she would like to beep?”

“They do not control the beeping process,” Seren replied. “When ditto instincts dictate, and they have the intention of approaching, they beep automatically. An effective method for dealing with shyness, wouldn’t you say?”

“No, no, no, no!” She stomped her foot for good measure.

He ignored that. “We might think about a similar system for—”

Alula was aghast at the mere suggestion. “Oh, right, let’s adopt this post-apocalyptic absurdity in our perfectly functional society. Are you out of your mind? The last thing I want to do is trade my unique attributes to become just another ditto.” She thought of another argument. “What then might I do if I’m walking merrily along and feel someone sneak up behind and pinch me? How would I know which beeping ditto did it? I’d turn around and see a slew of them parading behind.”

“Why would any of them resort to that?” Seren turned his palms up, smiling. “There is no physical attraction, and lust is no longer an obsession.”

“Lust? Do you think it has to do solely with lust— why people prey upon others? There are other reasons they choose to be a nuisance.” Alula folded her arms across her chest. “How much do you want to bet? You’ll have confused dittos beeping incessantly at everyone!”

At that very moment, a frantic, beeping ditto raced toward Seren. While yanking the wallet from his pocket, the culprit pulled at his nose, bopped him on the head and knocked off his visor. Alula could not help laughing, cupping her mouth, and feeling relieved for, in an instant, the guilty ditto was lost amidst a crowd of lookalike dittos up ahead.

“Obviously, a psychotic,” Seren said, looking for his visor amid the rubble.

“Hmm, and this is why we can’t have nice things.” Alula spied the visor and picked it up for him. “Tsk! Listen, I love the idea of being one and equal and loving one another, but if the answer is they can only beep and steal wallets, well—”

           Seren, grabbing the visor from her hand, looked embarrassed. “The unfortunate result of generations of inbreeding, I suspect, but it could have worked.”

***The End***

Feature image by Stefan Keller from Pixabay 

NETFLIX THRILLER WAS JUST SO GOOD

*SPOILER WARNING*

*SCARY STUFF WARNING*

*TALK ABOUT RELIGION WARNING*

Time goes way too fast for me. I saw Midnight Mass on Netflix about eight months ago and have wanted to write about it, but I’m just now getting around to it.

If you haven’t seen or heard of it, Midnight Mass is a seven-episode miniseries created and directed by Mike Flanagan. Flanagan’s inspiration came from his Catholic upbringing and recovery from alcoholism. The genre is supernatural horror, the same as The Haunting of Hill House and The Haunting of Bly Manor, both of which he created previously for Netflix. 

David Fear of Rolling Stone magazine called Midnight Mass extraordinary. A critic on Rotten Tomatoes called it “gorgeous and unsettling.” Tomatoes revealed it had an 89% approval rating. 

Okay, some felt it was too much of a Salem’s Lot rip-off, paying homage to Stephen King. Those influences were there, sure, but, in my opinion, that’s a good thing.

Anyway, the filming of Midnight Mass took place in Vancouver, at a seaside public area called Garry Point Park. Garry Point Park became Midnight Mass’s fictional Crockett Island, a small offshore fishing village whose inhabitants are trying to recover economically from an oil spill that devastated its fishing industry.

Riley Flynn is the main character who comes home to Crockett Island from prison after his drunk driving resulted in a woman’s death.

The supernatural element stems from the arrival of a stranger; a priest called Father Paul. And while Father Paul is charismatic, he is not exactly normal. He performs miracles amid tragedy with winged, blood-sucking creatures lurking. I’m not a fan of gore, but if a series is good, I’ll endure whatever I must (Hello, Game of Thrones) and, if necessary, resort to covering my eyes. (Of course, I’ll peek out of one eye.)

Ultimately, Father Paul seduces his whole island of followers, pushing them to poison themselves with cultlike devotion. It reminded me of the preacher and mass murderer, Jim Jones, who was solely responsible for the Jonestown, Guyana massacre in 1978. Some viewers complained about Father Paul’s profound monologues from beginning to end, but I enjoyed them. Honestly, I found the entire series brilliant and thought-provoking. 

Hamish Linklater as Father Paul received widespread acclaim for his character portrayal, and yes, he was great. Jen Chaney of Vulture called his performance “phenomenal” and believed he elevated the series to “moments of greatness,” writing: “he speaks as if he’s discovering his way through every sentence and wants you to come with him.” 

Other noteworthy performances include Zach Gilford as Riley Flynn, Robert Longstreet as Joe Collie, the town drunk, Rahul Kohli as Sheriff Hassan, Kate Siegel as Riley’s childhood sweetheart, Samantha Sloyan as a high and mighty zealot, and Henry Thomas as Riley’s father.

There was tremendous praise for Flanagan’s directing.

However, many Christians found Midnight Mass offensive in every regard.

Sherriff Hassan, as a Muslim, feels like an outsider, with the townspeople forcing Christianity on his son. And Riley questioned his faith, which I thought seemed normal after what happened to him. Even the most devout have struggled to keep the faith. We’re supposed to be human and flawed, right?

Another complaint was that Midnight Mass portrays a vampire as an angel. Father Paul is romanticized and sexualized, ranging from benevolent to malevolent. But doesn’t the Bible have angels who rebelled against God? The fallen ones who’d decided God was a despotic, unmerciful tyrant and got sentenced to eternity in hell? 

I read a comment that “priests would be able to recognize evil and not succumb to it,” yet they’ll defend the pedophile priest with arguments that the devil targets him, relentlessly tempting and “tricking” him. That’s just bullshit, but in the holy books, Satan is a powerful and ruthless rebel—a trickster who will constantly aim to manipulate and deceive you. While I may not believe these things, I learned while growing up Catholic that the devil will have his reign upon earth. I wish I had a dollar for every time I heard that one. So, it’s hardly shocking that Midnight Mass presents you with a version of the legendary Anti-Christ, who predictably fools people.

Midnight Mass also explores humanity’s desperate quest for eternal life, which is the “gift” offered to Father Paul’s followers in this story. The gift, in addition, relieves them of pain and suffering. I believe that’s why vampire lore is so popular. It dangles that gift and explores its consequences.

Midnight Mass presents the idea that “we must do evil to combat evil.” That misguided belief system is out there. Just look at the justification for people denying others fundamental human rights, justice, and dignity. Consider the lengths they will go to oppress and punish people for not being what the bigots say they’re supposed to be. No, not every religious person is like that, but no one can deny the mentality is out there. People believe they are combating evil and might have to resort to atrocious behavior themselves to accomplish that. 

At the same time, some believe in a loving, merciful, forgiving God and opt for the perception of him that is consistent with the caring and compassionate Jesus. Others fear God as a cruel, unforgiving, punishing entity who is offended by slights to his ego and will ask that you do horrendous things to prove your devotion to him, and they obey him to avoid punishment. Well, Father Paul is a depiction of the latter.

Of course, I can’t tell people what should or shouldn’t offend them. None of it offends me, but I don’t share their belief system and so reserve judgment. I will say that some of the best characters in Midnight Mass were Christians and made admirable sacrifices rather than succumbing to all the madness. And most were victims of a psychopath leader. Except, in this story, people fought back.

I believe Midnight Mass is still on Netflix. If you enjoy this kind of stuff, check it out.

BINGE READING THE THRILLERS I LOVE

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This blog is a tribute to female authors in the dark thriller genre, whom I’ve appreciated more and more in the past few years. There are many good ones, and I’ve been going through their books like they are a giant bag of Twizzlers. I just can’t stop.

One of my best discoveries is bestselling British author Rachel Abbot. She writes psychological thrillers, most of which are set in Manchester, England, close to where the author grew up.

According to her bio, “After being turned down by several literary agents and publishers, she decided to brave it alone and go into self-publishing.” I’m so glad she did because her success story encourages us writers and thrills her readers and fans, including me!

Her books are suspenseful, page-turners I can’t put down even when dinner’s calling! They are the type of books you can lie with for hours, snug under the covers on a wintry Saturday morning, or what have you. There are good characters to root for, especially detective Tom Douglas and Becky, his partner. Ms. Abbott’s books are well-written with believable dialogue and good pacing. I enjoy the plots and how they unfold. Just as I think I have it figured out, there are brilliant twists. Her books are addictive. I’ve read them all, and I’m waiting for more.

RACHEL ABBOTT’S BOOKS ON AMAZON.COM

Freida McFadden is another new favorite and quickly catching up to Rachel Abbott. I’ve read many of McFadden’s books, and they are fantastic reads. Seriously, you can’t put these books down.

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Also on my list:

Marissa Finch

Leslie Wolfe

Natalie Barelli

Trisha Wolfe

If you love thrillers, check them all out. You’ll be glad you did.

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Skull/books image by Reimund Bertrams from Pixabay 

BOOK REVIEW – THE KEEP by F. PAUL WILSON


Image by ELG21 from Pixabay

BOOK DESCRIPTION

“Something is murdering my men.”

Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.

When an elite SS extermination squad is dispatched to solve the problem, the men find something that’s both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore–who just happens to be Jewish–to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way–a man who awoke from a nightmare and immediately set out to meet his destiny.

The battle has begun: On one side, the ultimate evil created by man, and on the other…the unthinkable, unstoppable, unknowing terror that man has inevitably awakened.

F. Paul Wilson, Author

My Review:

*****

The Keep by F. Paul Wilson is a supernatural thriller set at the beginning of WW II. The story is rich in history and has many elements I love—Gothic horror, immortal creatures, Romania, a creepy fortress, revenge on nazis, and a worthy nemesis in Rasalom. The book is brilliantly atmospheric.

Wilson’s descriptions are lovely. It’s a fast-paced tale with a great twist, never dull, and it has characters I loved, which is always a plus. In my opinion, it’s a fun but not a terribly scary read, but, then again, I don’t scare easily.

The best part is, I’ve found a new favorite writer in F. Paul Wison and feel as if I should have known about him long ago!

⭐
⭐
⭐
⭐
⭐

REVIEW – The House on Blackstone Moor (The Blackstone Vampires Book 1)


This book was initially reviewed in May, 2012, but I am recommending it again to horror fans.

Before The House on Blackstone Moor, we experienced the wicked, self-involved albeit charming vampire and his polar opposite the long-suffering, brooding wimp with a conscience. Carole Gill’s Louis Darton is neither. Instead, he is the perfect balance between the twoa Byronic hero with substance. He endures, as the author writes, no matter what. He does so with great courage, inner strength, and compassion. Now that’s seductive!

As a fan of 19th century British literature and all things gothic, I found, in The House of The Blackstone Moor, all the elements I enjoy in a novel and all the features of a classic. The moods of great works such as Wuthering Heights, Pride and Prejudice, even Dickens (a la Oliver Twist and David Copperfield) surface throughout. Carole Gill presents excellent narration, well-drawn characters, and has a sharp ear for dialogue.

While hopelessly invested in Rose Baines and her beloved Louis Darton’s fate, I read this entire book in two days. No sooner had I put it down when an irresistible lure seemed to beckon my return. 😉 I’d have finished it in one sitting if I didn’t need to be elsewhere.

Between Darton and Satan’s cohort “Eco,” there is the additional element of the proverbial dark side with a twist. It brings to mind Anne Rice’s poetic Memnoch The Devil inspired by the Book of Enoch and Milton’s epic poem, Paradise Lost. This genre has been met and embraced in the past with great interest and sheer fascination. Carole Gill continues in that vein. She pulls it off quite skillfully with wonderfully bold and descriptive passages.

Carole Gill

About Carole Gill

Carole Gill is published by Creativia. She writes dark Gothic romance as well as contemporary horror.

Preditors & Editors’ Readers’ POLL
#2 BEST HORROR NOVEL 2016
I, BATHORY, QUEEN OF BLOOD

BEST INDIE BOOK FINALIST
2016
CIRCUS OF HORRORS

Her acclaimed 4-novel series, The Blackstone Vampires:
2014 – Amazon Bestseller in Dark Fantasy – THE BLACKSTONE VAMPIRES OMNIBUS
2015 – Amazon Bestseller in Vampire Horror – THE BLACKSTONE VAMPIRES OMNIBUS
2015 – Amazon Bestseller in Horror Anthologies – HOUSE OF HORRORS

AWARDS:
eBook Festival of Words 2014
Best Horror: The House on Blackstone Moor and
Best Villain: Eco

Top 10 Books – 2013 – The House on Blackstone Moor
Aoife Marie Sheridan – ALL THINGS FANTASY
Publisher, Ultimate Fantasy Books

92 Horror authors you need to read right now,
Carole Gill – The Blackstone Vampires Series. ~Charlotte Books Examiner,

Justine: Into The Blood Book One – Blood and Passion Series is on sale at Amazon.
Book 2, Anat: Blood Princess, follows.

I, Bathory, Queen of Blood, a novel about the Blood Countess Erzsebat Bathory is her latest book.
For dark horror fans there is, Carole Gill’s House of Horrors and the novel, Circus of Horrors.

In 2000 she was selected by Northwest Playwrights of England for further development. Short stories and novels were what she preferred to write.
Her story, The Devil’s Work is being broadcast web and television in the Fragments of Fear Program in 2016.

Blog:
http://carolegillauthor.blogspot.co.uk/

facebook author page:
http://www.facebook.com/pages/Carole-Gill-Author/120405794703293?ref=ts

She is widely published in horror and sci-fi anthologies:

Fragments of Fear tv and You Tube, ‘The Devil’s Work
Killing it Softly, Digital Fiction Publishing Corp.
Sideshow, published by PsychoPomp
After Armeagedon short story collection by Brian L. Porter (guest story by Carole Gill)
Rogues Gallery, The Illustrated Police News, Firbolg
Enter at Your Own Risk: Dark Muses Spoken Silences Firbolg
Vampires: Romance to Rippers an Anthology of Tasty Tales
A S Publications: Enter at Your Own Risk: Old Masters New Voices, An Anthology of Gothic Literature,
Fresh Fear: Contemporary Horror
Triskaideka Books’ Masters of Horror Anthology One,
Triskaideka Books’ Masters of Horror Damned If You Don’t,
Sonar 4 Publishing’s Ladies and Gentlemen of Horror 2010,
SNM’s Bonded By Blood3 Languish In Lament,
Sonar 4 Publishing’s Whitechapel 13, Anthology,
Rymfire’s Undead Tales,
Rymfire’s Zombie Winter,
Rymfire’s Zombie Writing
Angelic Knight Press’ Satan’s Toy Box: Demonic Dolls and
Whitechapel 13, An Anthology of the Victorian Era
Sci Fi Almanac 2009 and 2010 and
Science Fiction Freedom Magazine, issues 1-4,
Sci Fi Talk’s Tales of Time and Space.Read less


Author Updates

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WHY DO YOU WRITE? ARE YOU STRANGE LIKE ME?

As someone in quarantine who thrives on isolation, I had to reflect on that recently, and I was inspired to divulge what I concluded, partly to see if anyone could relate.

For the longest time in my life, I believed writing was my destiny or my calling, and that there was never any choice about it. It made sense because I started doing it when I was eight years old and kept on no matter who or what happened in life. It was automatic and the equivalent of breathing (almost 🤣). Romantic relationships were usually complicated since I gave so much to writing and didn’t want to make that same type of investment in potential partners.

My marriage was different because I had a child to raise, and my maternal instinct took over, allowing me to devote myself to my husband and my son. That became a permanent bond. With others, it was most likely I’d eventually back away. Real friends were the only exception to that, and even with my nearest and dearest, I can shut down in the moments I need to and remain in my little bubble until one or the other calls upon me. (This COVID lockdown has me in shutdown mode more than usual.)

So, what I realized is, there is a high probability that I started writing for one simple reason. It allowed me to escape to a world far removed from reality. And that was where I wanted to be. It was never that I didn’t care—more like I cared too much, and I knew it, and it hurt.

As a child, like so many children, I was blown away by The Wizard of Oz. I grew to love role-playing and parallel universe fiction. When role-playing games became on online obsession, combining these two elements, I was among the obsessed. What more could I ask for than the opportunity to vanish into a fake world of my own choosing and explore it fearlessly without ever having to face any consequences?

It’s a weird thing to explain because, from the moment I could fully experience it, the real world has thoroughly fascinated me. I immensely enjoy being out there whenever I am. But, yes, in the general sense, I prefer fantasy to reality. I always have, and I know I’m not alone in that. It’s not a sad thing, not to me. You can be happy and sad, laughing or crying, talking up a storm or perfectly still, and it’s all good. I love and embrace it all, but when I can’t deal at that particular moment, I don’t. I thought it was the poet in me who felt that way, but maybe it’s just me.

I’m not sure if any of it is normal, but becoming aware of it did make me feel selfish. At the very least, it made me realize I have been selfish at times. (Ironically, I had to get in touch with reality enough to understand how deeply flawed I am, and to begin working on it.) 😉 That work began years ago and continues to this day.

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Still, I had to ask myself this question. If what I had wanted all along was to escape reality, why did I base some of my work on things I’d witnessed or experienced?

Well, for one thing, I compartmentalized my feelings and traumas. The people on the page were not real because I’d turned reality into fiction. I was playing God, and, most importantly, I was in control. I needed to be in control. (The focus of my work, by the way, has now shifted to 90% fiction.)

The good news here is, everything is all about learning and growing. It never stops, and because of that, I’ve become increasingly grateful and so incredibly appreciative of the people in my life.

It’s much easier to be “present in the moment” when you know to cherish it! I find that these days, I genuinely care without needing anything in return. So, I’m not all bad. 😆

I suppose the need for self-protection will override progress when necessary, mostly out of habit, but in this life, if you’re committed to improvement, you will achieve it!

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HOW TO CHOOSE THE RIGHT BETA READERS AND LOVE THE PROCESS

My brilliant beta readers are the best that I could hope for, as a writer. I have the utmost respect and appreciation for them!

You see, they’re not afraid to tell me what they do or don’t like and what does or doesn’t work in my story. Thankfully, they don’t mind having to answer more questions once their work is complete. They see it as an ongoing project they’re helping to shape. They not only provide feedback, but they’ll also catch the occasional typo or inconsistency, and let me know when a transition didn’t go as smoothly as it should have. And, believe it or not, they do this for free!

What I’ve gotten in the way of beta readers has been ideal, I’ll admit, but there are guidelines that help in choosing the right beta readers. And while most of them don’t charge, you’re entitled to have higher expectations if they do.

What’s important to note is, you’re not hiring a beta reader simply to proofread. You can hire an actual proofreader for that. I have several people look over the work for that purpose, including my editor.

You’re not hiring a beta reader to edit your work either. You absolutely need a professional editor for that, no matter how good of an editor you are or how qualified your beta reader may be in suggesting edits.

You don’t want a beta reader who will come back with, “I like it. Everything’s good.” A sentence or a small paragraph of feedback is not going to help much.

Writers are sometimes to blame for that. Many of them get pissed at beta readers for giving their honest opinions, but if you think you can do no wrong, you will get nowhere. We’re not perfect. Mastering our craft is an ongoing thing, and if we’re doing it right, then we continue to grow as writers. Some may say, “But I am the writer, and they are just readers.” Forget that word “just.” Readers are everything! It is the reader you want to appeal to, and it’s their feedback you are requesting. We always benefit by listening and learning. There are a lot of great writers out there. We can’t kid ourselves, thinking we are beyond any competition.

Yeah, we can get a little stubborn about certain things. I’ve found that I can be stubborn, too, so it helps if I give myself time to process what my beta reader is saying. Ultimately, I’ll be able to see their point and let go of what I’d been holding onto so tenaciously. We can be biased, and, no matter what, it’s personal, and so we can have tunnel vision. We need to ask ourselves, “Why is this so important to me? What’s going on here?” Sometimes I engage in a debate with the beta reader, and he or she will convince me that it needs to be a certain way. It may turn out that they see my point, or that it results in a compromise, but we have to be open to omitting or changing things. It’s good to have people who are not going to get upset with you or you with them. It takes a level of maturity on both parts and an ability to set ego aside.

On the other hand, if you’re hiring someone just to validate that you wrote a perfect book, that’s a different thing entirely.

As for me, in searching for the right beta, I also look for people who may be particularly helpful for what I’m writing. I do a ton of research (probably too much), but for my current work-in-progress, I’m interested in cops, detectives, veterans, people who’ve lived in or traveled to Spain, and people who grew up in the Bronx. I like to have both male and female readers because I love appealing to both audiences. I have three beta readers now and can take on one or two more.

Your beta readers are part of your team. At the very least, I like to thank them in the published book’s acknowledgements section and provide them a free signed copy.

My beta readers help me write a better story, and that’s what you always want—a better story.

ANNOUNCEMENT! NEW MAGAZINE!

Brave Wings is a new online magazine that focuses on the human condition—whatever we experience in life that helps us learn, grow, and evolve. Sharing perspectives about healing and empowerment can be exciting and helpful, but we also want to provide entertainment and fun while sharing the beauty of creativity.

Some of the topics we will cover:

Adversity, anxiety, artist(s), authors, books, writing (editing tips and experiences), childhood, classic literature, codependency, compassion, creativity, depression, dreams, ego, evolving, feeling unworthy, fiction pieces and excerpts, fun, giving back, gratitude, grief, growing, healing, hope, humanity, humility, humor, inspiration, interviews, judgment, learning, letting go, life, loss, love, mental health, narcissism, oppression, panic attacks, parenting, passion, poetry, politics, prejudice, reading and reviews, recovery from addiction and trauma, relationships, religion, romance, sadness, self-sabotage, self-care and self-love, shame, stigma, stress, and tolerance.

For entertainment, we are interested in short stories and book series (all genres). We’re interested in humor.

For creativity, we may be interested in photos, handmade products, something that showcases your talent.

Content for submission will include blogs, videos, audios, slideshows, and photographs. Please see the submissions page for instructions on how to submit!

We will not pay for submissions at this time. However, we will always share your work on our social media sites, and we encourage all contributors to share magazine contents submitted by others on their social media sites. Helping one another with exposure is what will make this site work.

In addition, we will provide the following for all contributors to the magazine:

A listing in the contributor section, where more information (links, etc.) will be added with each contribution. The most frequent contributors may also have a few of their books, products, or recommendations in the listing.

The opportunity by contributors to submit news that provides opportunities for artistic communities, as well as their own business events and significant personal news, all of which we will share on our social media sites.

Access to the chat room (as a moderator, if they prefer), and the ability to hold monitored topic meetings to promote their talent/business.

For those privileges, you must be a regulator contributor. There are no deadlines. However, you must have contributed at least twice with acceptance and publication.

We do intend to have a community that includes a discussion forum and chat room where we can present topics hosted by contributors.

Our Announcement page will provide news of available opportunities within the artistic communities, including contests and contributor events.

We will post book reviews that are submitted by contributors, but we don’t assign books for review.

We will post interviews by our contributors if they are relative to our platform. If you feel you are a good candidate for an interview, contact us at submissions@bravewingsmag.com.

If this venture is a success, we may eventually monetize and pay for content.

For those interested in getting involved, we may also need editors, site moderators, group moderators, page moderators, etc. who will have contributor status. Those most involved will be given domain e-mail addresses for the magazine. We have four more available, so if you love this idea, the opportunity is there to get as involved as you’d like.

Another thing I’m tossing around is whether we’ll have a group or newsletter for interested parties, so please, please, weigh in with your thoughts about everything! All suggestions are welcome!

Please visit our site at Bravewings.mag.com, and feel free to follow or subscribe.

Please like us on Facebook and connect with us on Twitter!

Photo by KH Koehler Design

THE TRUTH CAN BE DEVASTATING, FRIGHTENING, AND DEADLY!

Some truths can be deadly.

Danielle isn’t mopey or filled with teenage angst. Danielle and her cousin were abducted, drugged, and raped. But her cousin doesn’t remember, and her best friend won’t believe her. Now, her predators have returned, stalking her, harassing her at every turn. Nightmares plague her sleep, pushing her to the brink of exhaustion. Isolated, terrified, and grief-stricken, Danielle is paralyzed, unable to face the unmerciful world around her. Can she awaken her spirit and blossom into a woman of defiance and courage before the darkness eclipses her sanity?

Shattering Truths, the first volume in the Deadly Veils series, is a haunting and heartbreaking coming of age story. In the tradition of Judy Blume, and following in the footsteps of Thirteen Reasons Why, author Kyrian Lyndon doesn’t shy away from exploring the darker side of life that every teenage girl fears. Filled with suspense, a heart wrenching emotional journey, and twists that will leave you breathless, Shattering Truths will take hold of you on page one and never let go.

YOU CAN DOWNLOAD THIS KINDLE BOOK FOR FREE ON AMAZON.COM BETWEEN MARCH 15 AND MARCH 19!! SEE LINK BELOW. READ SAMPLE CHAPTER, REVIEWS, AND MORE!!!

Chapter One:

Glastonbury, Connecticut, 1987

There was no blood. I was dead inside, but not bleeding. Zipping my shorts in a daze, I focused on the brown and gold hues of the wall tiles. I washed my hands over the sink, avoiding my reflection. The hexagon-shaped mirror was antique and gilded. I now felt debased in its presence as well as in these familiar surroundings. After turning off the faucet, I stood there for a moment, and then hastened to my room.

The brass bed, dressed in white eyelet sheets and frilly pink bedding, was an update of my choosing. The nativity scene plaque on the wall above it had been there throughout my childhood—Mother Mary in a protective stance over Baby Jesus. I suppose the intention was to comfort and protect me. Still, I lined the bed with stuffed teddy bears and kept a sixteen-inch porcelain doll with golden hair and dark blue eyes on my white dresser. She wore a pink Victorian dress with lace trim and glimmering beads and a hat to match. I picked her up now and held her tightly to my chest. A tear fell as I snuggled her to me for as long as I could. After setting her down, I approached the window.

I could see far from these foothills. A woodlot of mixed forest surrounded our home. In one direction, I saw the Hartford skyline—in another, steep, rolling hills in their divine and blissful glory. My room faced the direction of Old Buckingham, not half a mile away. The ancient cemetery was set back from the road, just beyond a fortress of trees. We heard stories of weeping spirits, distant cries of agony, and diaphanous circles of white light floating above and between the tombstones. I never knew whether people convinced themselves of these things or merely embellished the truth. One thing I knew did happen: Fierce hurricane winds had nearly destroyed the little church on its grounds.

Much as I loved this house, it was an eerie place to grow up. That had little to do with ghost stories. I would lie awake in my bed at night, listening to the sounds of darkness—imagining that the hoarse caw of the crows warned of impending doom. I got this sense of urgency from yapping dogs, yelping coyotes, and the ear-piercing whistles of the woodchucks. Some nights, even the benign chirping of crickets grew louder and more intense with each moment.

I prayed, always.

Watching from the window now, I felt like some reclusive old person who got all the neighbors whispering. I watched for a dusty black Cutlass Supreme, needing to make certain it was nowhere in sight.

The phone rang, and I panicked. My father had mounted it to the wall between my room and the master bedroom, so I had to leave the room to answer it.

“Hello, Danielle,” the voice cooed.

Sickened to my core, I hung up.

It rang again, the innocuous ivory phone that seemed suddenly possessed. I wanted to rip it off the wall.

I lifted the receiver.

“Don’t hang up.” It was the other guy.

“Stop calling here!” I ended the call with a slam.

They had the gall to utter my name! They sounded so casual, so elated—as if the atrocity I had endured earlier that day had been mutually rewarding. Granted, it could have been worse, and yet a part of me had died. More unsettling still, they knew where to find me.

Available now on:

Amazon.com

Amazon.co.uk

Barnes & Noble.com

iTunes

REVIEWS

“I find it difficult to express the depth to which she pierces emotional barriers in order to share the struggles the characters in the book were required to face. I was literally brought to tears on a couple of occasions. Her profound understanding of human emotion and spirituality are evident in her poetry as well. Basically, a brilliantly written novel by a brilliant writer. I can’t wait to read more from her.” – Reservoirguy

“Deeply nostalgic and full of the dark, seething pressures of youth, combined with the colorful background of the late 1980s, Kyrian Lyndon’s first book in her Dead Veils series will transport you to another place where secrets can kill…or set a lost soul free. An amazing literary journey!” –K. H. Koehler

“A gripping and emotional story about trauma and abuse…” – Elizabeth Greschner

“A dark, alluring and fascinating book about a girl trying to crawl out of the darkness and despair and grow in strength and spirit.” –Books Are Love

“While this is a young adult, I know both teens and adults will enjoy this book. Fans of 13 Reasons Why will devour this book!” –N.N. Light

“An emotional roller coaster…” –Love Books

“A startlingly intense look into the lives of the young teens in present-day America!” –Deepak Menon

“It was truly a novel I will always cherish and always remember.” –Chelsea Girard

*Shattering Truths was originally published in January of 2016 under the title Provenance of Bondage. The re-release has a lot of new material but is a bit shorter than the original.

Author’s Note: Deadly Veils Book Two is well underway! It tells the story of Valentin, a character that  intrigued many readers in the first book. Danielle will appear again, but readers will see her only through Valentin’s eyes.

I can tell you, too; this second installment will include plenty of romance and excitement.

Related links:

My review of Thirteen Reasons Why and thoughts about the issue.

Listen to the Shattering Truths’ story playlist on YouTube.

Connect with Kyrian Lyndon:

Facebook

Twitter

Instagram

LinkedIn

Amazon.com

© Copyright January 30, 2017 by Kyrian Lyndon at kyrianlyndon.com. All rights reserved. No reproduction permitted without permission.

Cover Design (feature photo) by KH Koehler Design

IT’S GOOD TO BE VULNERABLE!

by Kyrian Lyndon

Don’t take yourself too damn seriously!

Accept that you are vulnerable, and make peace with that.

Be fearless!

If I had said these things to my younger self, it would not have had much of an impact. I wasn’t ready. But at some point in time, other people said these things to me, and even though I still wasn’t ready, they planted a seed. And every time someone plants a seed, he or she brings us closer to eventual healing and understanding. It certainly worked that way for me because, despite my stubbornness, I am always listening, and I always want to be a better version of me than I was yesterday.

So, last year, I read the first criticism of my work from a reviewer. Admittedly, it wasn’t scathing; she had many nice things to say, but I was able to handle that in a way that I couldn’t have all those years ago.I was curious more than anything, and I wanted to understand her point of view.

It was because, by then, I had stopped seeing myself the way I saw myself at the age of seventeen and for many years to come—as the writer, the destined one, or, ack, some kind of chosen one. I had come to accept that I am one writer in an endless sea of writers— just another voice in the choir.

Some people don’t like this perspective—at all. Back then, I would not have liked it either.

I’ve heard, in response, “You have to take yourself seriously or no one else will, right?”

Oh yes, for sure, but we can be serious, and we can be too serious. For me, the shift in perspective, from taking myself too seriously to taking myself just seriously enough has worked well.

When we see ourselves as a part of everything and not the center of everything, we begin to want for others what we want for ourselves—success! We’re not in competition for that because we know there is enough to go around. When we’re taking ourselves too seriously, those other people do not exist except as competitors. It’s about us and us only, so whatever happens to us is more important than what happens to everyone else. Less than favorable outcomes are magnified and often unbearable.

It helps to take it down a few notches and strive for a little humility. That includes checking ourselves and questioning the motivation behind decisions we make.

It’s not as hard as it sounds, and, eventually, it becomes a part of who we are.

By striving to keep my ego in check, I’m in a better position to handle criticisms and failures because I don’t have to prove I am beyond reproach. I haven’t placed myself up on a pedestal where I see myself as superior to and separate from others. I don’t believe I am so important that my haters are just sitting around watching and waiting to laugh at me when I fail. If they are, then they’re wasting precious time and won’t be able to achieve very much in their lives.

What this mind shift does is; it gives us permission to be vulnerable—permission from ourselves because no one else is stopping us. Then, instead of worrying about what others will think, we just write from the heart. We focus on learning to master our craft—something we absolutely cannot do when we think we already have it all down.

Of course, we all want praise. We want the glowing five-star reviews. There‘s nothing more gratifying than knowing your work has touched someone profoundly or thoroughly entertained as intended.

Friends kindly remind us that we all face rejection and that no one is above criticism. That’s true; someone has criticized every successful writer we know. But hearing that is not quite as comforting as it’s intended to be, so we secretly hope to be the exception.

We might be—if we tiptoe around—if we ask only our friends for reviews. We’ll get fewer reviews, but they’ll all be five-stars, right? On the other hand, if we want to reach millions of readers, we have to throw ourselves fearlessly into the arena, making ourselves more vulnerable to criticism.

Writer friends have said to me, “But, what about the internet trolls?”

Well, the truth is, people who take themselves too seriously are the perfect target for trolls. They are the ones who will argue with the trolls, thinking they will somehow get that person to sympathize or agree. It won’t happen because trolls lack empathy, or, let’s face it, they wouldn’t be trolls. If they know they’ve upset you, they will continue to provoke you. You can’t get caught up in the futility of that.

At the same time, not everyone who doesn’t like your work is a troll. There is legitimate criticism. We can get it from beta readers, good editors, and yes, honest reviews.

When it comes to betas and editors, we want that person who will say, about a particular scene, “You can do better than that.” We get lazy sometimes even with so much at stake. It’s wonderful to hear someone say, simply, “Oh, it’s great, I love it!” But if you’re still trying to iron out the kinks in your story, that’s not going to help you. I want to know where they got confused, where they got bored, what annoyed them, what characters they liked and didn’t like. That will help me determine whether I’m getting the effect I want. Not everyone will agree, of course, so it helps to get several people looking at your work—people who are not afraid to be objective and possibly upset you. Personally, I will not beta read for most people because I know I will give the honesty that I’d want myself, and I realize not everyone can handle that. I have gotten upset myself once, but I got over it fast. We don’t always have to agree with someone’s criticism, but we need to be open to it.

My beta readers have me laughing hysterically with some of their comments, especially with things that need fixing or clarifying. A simple, “Really?” or “Seriously?” can have me in a fit of giggles. The times we are laughing together on the phone or in person are the most fun. Even if they say, “This guy sounds like a douche,” I’m only going to be concerned if he’s not supposed to be sounding like a douche, and then we talk that stuff out. A bit of lightheartedness and a good sense of humor is key.

In an early draft that I wrote many years ago, I had decided to start at the beginning of my character’s life. By page 455, she was still twelve! I can’t help laughing now about how ridiculous that was. I had so much to learn about brutal editing (cut, cut, cut), where to begin a story, proper outlining, etc., and I’m still learning!

In my latest book, Shattering Truths, I was anal about how I wanted to tell this story. It is deep and personal, not my story, but a story about things I had witnessed over the years and one that had become very precious to my heart. It’s hard to be flexible when you are that emotionally involved, and, honestly, we become emotionally involved in all of our books, so we are incredibly biased. I needed feedback, and then, simply, to let go of what wasn’t working.

The truth is, we never stop learning, and there is always room to improve! I’m sure even the most successful writers would admit that, so it helps to embrace the learning process. Our confidence will increase as we evolve.

It’s all about honesty and integrity, and just being the best you can be. 🙂

 

© Copyright April 15, 2017 by Kyrian Lyndon at kyrianlyndon.com. All rights reserved. No reproduction permitted without permission.

photo credit: Sarvodaya Shramadana Movement

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SO EXCITED ABOUT REVEALING THIS SPECTACULAR NEW COVER!

This beautiful cover is by KH Koehler Design. I highly recommend both her editing and book design services. KH is uniquely talented, honest, knowledgeable, and reliable. Her rates are affordable. Her work is excellent. She is considerate, professional, supportive, and kind. I can’t say enough in singing her praises, and I could not have been more pleased.

This book, Shattering Truths, was originally published in January of 2016 under the title Provenance of Bondage. The re-release has a lot of new material but is a bit shorter than the original, since I decided to cut some of it as well. I’m very happy with the new version, and I think readers will be, too!

So why the title change you ask? The original title alluded to emotional or psychological bondage, but many, despite the book’s description, took it to suggest BDSM like Fifty Shades of Grey.

Here is the book’s updated description:

She was left fighting her demons alone . . .

For sixteen-year-old Danielle DeCorso, the old house in Glastonbury was an eerie place to grow up. Coping with mental health challenges exacerbated by a traumatic family dynamic, Danielle watches from the window for two men in a dusty black sedan who keep circling the house and harassing her with phone calls. The two predators drugged her and her cousin, Angie, and then lured them from Pleasure Beach in Bridgeport to a secluded cottage on Long Beach West. She remembers feeling dizzy, the room spinning. She recalls screaming, crying, fighting, and then slipping in and out of consciousness. Angie, however, has no recollection of the incident.

When Danielle attempts to jog Angie’s memory and convince their best friend, Farran, that the two strangers had victimized them, no one seems to believe her. Alone in her pain, Danielle remains guarded, obsessed, and withdrawn. Soon she is sinking deeper into a tumultuous world of adolescent isolation and change. Grief, guilt, and anger send her spiraling into an even darker place.

Tormented by terrifying nightmares, she fears she will lose her sanity, or possibly her soul. Is she having post-traumatic stress hallucinations, as one of her friends suggest, or are her recurring nightmares as real as they seem? Trapped in an unyielding emotional bondage, Danielle continues the fight to reclaim her power. Startling revelations awaken her newfound spirit, inspiring a once naïve girl to grow into a woman of defiance and courage.

***

The new version should be available soon, and I’ll have free copies for people who’d like to read and review the book. Please let me know if you want a free copy for that purpose. I will also have the links available for anyone wishing to purchase the book.

Here are just a few lines from the previous edition’s reviews:

“A dark, alluring and fascinating book about a girl trying to crawl out of the darkness and despair and grow in strength and spirit.” –Books Are Love

“A gripping and emotional story about trauma and abuse…” – Elizabeth Greschner

“…an emotional roller coaster…” –Love Books

“…a startlingly intense look into the lives of the young teens in present day America!” –Deepak Menon

“This book will catch you right in from the start.” –Peggy

“…a powerful story right from the start.” –Joanne Dore

“I can’t wait for her next book because now I’m hooked!” –Lori Stanley

“I’m looking forward to reading more from this author.” –Denise Buttino Terrell

And if you care to read on, here is the first chapter:

CHAPTER ONE
Connecticut, Summer of 1987

There was no blood. I was dead inside, but not bleeding. Zipping my shorts in a daze, I focused on the brown and gold hues of the wall tiles. I washed my hands over the sink, avoiding my reflection. The hexagon-shaped mirror was antique and gilded. I now felt debased in its presence as well as in these familiar surroundings. After turning off the faucet, I stood there for a moment, and then hastened to my room.
The brass bed, dressed in white eyelet sheets and frilly pink bedding, was an update of my choosing. The nativity scene plaque on the wall above it had been there throughout my childhood—Mother Mary in a protective stance over Baby Jesus. I suppose the intention was to comfort and protect me. Still, I lined the bed with stuffed teddy bears and kept a sixteen-inch porcelain doll with golden hair and dark blue eyes on my white dresser. She wore a pink Victorian dress with lace trim and glimmering beads and a hat to match. I picked her up now and held her tightly to my chest. A tear fell as I snuggled her to me for as long as I could. After setting her down, I approached the window.
I could see far from these foothills. A woodlot of mixed forest surrounded our home. In one direction, I saw the Hartford skyline—in another, steep, rolling hills in their divine and blissful glory. My room faced the direction of Old Buckingham, not half a mile away. The ancient cemetery was set back from the road, just beyond a fortress of trees. We heard stories of weeping spirits, distant cries of agony, and diaphanous circles of white light floating above and between the tombstones. I never knew whether people convinced themselves of these things or merely embellished the truth. One thing I knew did happen: Fierce hurricane winds had nearly destroyed the little church on its grounds.
Much as I loved this house, it was an eerie place to grow up. That had little to do with ghost stories. I would lie awake in my bed at night, listening to the sounds of darkness—imagining that the hoarse caw of the crows warned of impending doom. I got this sense of urgency from yapping dogs, yelping coyotes, and the ear-piercing whistles of the woodchucks. Some nights, even the benign chirping of crickets grew louder and more intense with each moment.
I prayed, always.
Watching from the window now, I felt like some reclusive old person who got all the neighbors whispering. I watched for a dusty black Cutlass Supreme, needing to make certain it was nowhere in sight.
The phone rang, and I panicked. My father had mounted it to the wall between my room and the master bedroom, so I had to leave the room to answer it.
“Hello, Danielle,” the voice cooed.
Sickened to my core, I hung up.
It rang again, the innocuous ivory phone that seemed suddenly possessed. I wanted to rip it off the wall.
I lifted the receiver.
“Don’t hang up.” It was the other guy.
“Stop calling here!” I ended the call with a slam.
They had the gall to utter my name! They sounded so casual, so elated—as if the atrocity I had endured earlier that day had been mutually rewarding. Granted, it could have been worse, and yet a part of me had died. More unsettling still, they knew where to find me.

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© Copyright January 24, 2016 by Kyrian Lyndon at kyrianlyndon.com. All rights reserved. No reproduction permitted without permission.