IN THE DIMMEST LIGHT
I wake up at 4 a.m. every day, including weekends and holidays, and write for hours. It starts with nothing more than a 40-watt amber-shade lamp lit in the darkest hours, where I can see the moon outside my window. The focus is so intense, it is light before long.
Creating characters and the worlds they live in began as a childhood obsession. I wrote down names then added descriptions, developing their stories by continuing to add details. I had no idea why I did this at the time. My parents worried for a while. They relaxed a bit as I went on to write fairy tales and poems. When I wrote my first novel at 16, I used parts of those descriptions.
I held many jobs since then – secretary, assistant book manufacturing representative, assistant to casting director, computer system administrator, and paralegal/legal assistant. One summer, I was shooting photos for a model’s portfolio. Another day I’d be chatting with musicians about putting a band together. My ego was insatiable, so I was all over the place, wanting to do everything. I told myself, all I want to do is write while getting sidetracked at every turn.
Life went on, rife with challenges, full of adventures. I roamed the darkest corners to learn about the world and about myself. Setbacks knocked me down. I would get up eventually and find my way again.
More and more so, I began telling my story in the novels I wrote. I became so immersed in the reality of it, I would not steer off its course long enough to let my imagination truly come alive. I started over several times until I realized I didn’t sign on for this to tell my story. A storyteller can tell any story she wants, and so I was back on track.
To be fair, I learned about the book publishing process working in publishing. I chased down literary agents, got a press kit, and formed a writer’s club. I continued to educate myself about writing. I subscribed to the relevant publications. I contributed to an anthology, had letters published. There were assignments and proposals I turned down wanting to be true to myself and to the integrity of my work. I was devoted to mastering my craft.
I realize, too, I’d been busy healing. It was necessary for me to find the courage to free myself of belief systems that kept me in bondage. Until we fully heal, we remain in bondage to something or another and prone to all kinds of obsession. Disentangling from all that is a painful process and a lot of work but well worth it. Past turmoil is the baggage we can carry forever or make lighter and less cumbersome by checking it.
Perhaps it’s different for everyone, but the process is the same. It is discovering what you do not want nor want to be; who or what impedes you; who and what strengthens you. Learning to trust your instincts is essential. If I couldn’t do that as a human being, I surely could not do it as a writer.
In the healing process, I got a much-needed downsizing of ego. I went from “needing” attention to shying away from it with a reluctance to put myself out there. I am a firm believer that when it comes to extremes, neither extreme is right. It had to be somewhere in the middle. It’s been all about balance for me.
Becoming a parent along the way helped. It is a rare and unconditional love, and love of that magnitude motivates you to be the best person you can ever hope to be. It lifts you out of victimhood and allows you to live as the empowered hero in your own heart and to set the example.
Today I feel the greatest gift I have to give anyone is a true and genuine heart. That means questioning my intentions and, if necessary, correcting my steps.
Now, with a clear view of the story I want to tell, I’ve been busy incorporating my past novels into a series that could be six to eight books and possibly more. I have outlined and drafted the series and am in the process of finalizing.
© Copyright July 14, 2014 by Kyrian Lyndon at kyrianlyndon.com. All rights reserved. No reproduction permitted without permission.