Novelist and Poet

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DEADLY VEILS BOOK ONE: SHATTERING TRUTHS – 16

Chapter Sixteen

Loud music reverberated from the stereo: sentimental Fifties crooners, Italian favorites. My parents never seemed to tire of “Che La Luna Mezzo Mare.” The “legal” adults were at various stages of drunk by now. The scene amusingly reminded me of The Godfather movie, prompting me to recall that disturbing conversation between Phil and Sergio. 

Before I knew it, I had blurted out a question. “Daddy, if somebody says he has connections and is planning a hit on someone, would you think he’s lying? Because I don’t think somebody in the mob would want you to know that, right?” 

“Who’s that?” Joey asked. 

Uncle Dom raised an eyebrow. “He was telling this to who? You? He said he’s in the mob?” He looked at my father. “Cafone!” 

My father laughed. 

Uncle Dom waved his hand in disgust. “If he was in the mob, he wouldn’t be telling you that. Stay away from him. He’s trouble.” 

“It was a conversation I heard between two guys I barely know,” I explained. “One guy was saying he was going to take somebody out—that he was going to ice someone.” 

My father said, “If he was in the mob, he would never discuss that in front of someone who’s not involved.” 

“Even with the people involved, they are very careful about what they say,” Uncle Dom pointed out. “Believe me, if this guy’s in the mob, he’s not gonna be for long. If he’s talking like that, they will kill him.” 

We all laughed heartily at that. 

“Don’t get involved,” Uncle Dom said. “Tell him to take a hike. Believe me, there’s something wrong with a guy talking like that in front of a girl. Tell him, adiosarrivederci, so long. Better yet, when you see him coming, go the other way.” 

Everyone continued to laugh, but I couldn’t help thinking, I wish I had. By the time Phil and Sergio had revealed their true natures, it was too late. For the most part, I believed they were no longer a danger to me, and now I could rest assured that they weren’t likely to be mobsters who’d send someone gunning for me, ludicrous as it seemed. 

I could tell that everyone remained oblivious to my true concerns. They drank their demitasse with lemon, sugar, anisette, and amaretto. We ate dessert. They sang “Happy Birthday” to me. 

My grandmother was staring at Angie with a nostalgic look in her eyes. She remarked that Angie and Dom Jr. had looked so much alike. Angie never talked about Dom Jr., her identical twin, but she often visited his grave with her parents. Zuza got misty-eyed when talking about him, and Uncle Dom got quiet. He’d look down only slightly, but I could see the forlorn gaze. 

Angie smiled now in response to the noted resemblance. It was hard to read what she thought about it, or about anything. I wished she would talk to me, and I vowed that I would continue trying to reach her. 

The party moved to the family room. Everyone had expressed an interest in seeing old family movies. My father had every tape labeled—his and my mother’s vacation to Lake Winnipesaukee in New Hampshire, another tape of when my mom took us to Bear Mountain, and childhood birthdays or holidays. 

There was a scene in the home movies where my Uncle Dom stood behind my chair as I tackled a strawberry tart. I climbed on the chair in an effort to reach him. Then, turning to face him, I gave him the tightest hug I could give. He instantly reciprocated the hug with a kindly smile. Watching it moved me to tears. 

Once past the age of three, my mother had instructed me not to allow any man to pick me up off the ground. If someone tried, I was to demand that he put me down and to tell him I could walk. I didn’t have to worry about Uncle Dom. He didn’t do that, and yet he responded genuinely and appropriately to a hug from me. It worked out with my father, too, since I was probably two the last time he carried me. When I was a little girl, I would jump on him as he lay on the couch watching television, and I would tickle him, laughing. I wanted to shower him with kisses. 

“Get off of him,” my mother would say. “Cut that out.” 

At the time, I took it to mean he needed the time to relax, and I was pestering him. As I grew older, it felt more and more that he was off-limits to me in that way. Even now, if I hugged him, it was customary to let go of him sooner than I wanted to, wishing I could stay in his arms. 

I thought of Uncle Dom as someone who could observe boundaries and still make a girl feel loved and adored. 

The movies revealed, too, that from the moment I could walk, I followed Robbie everywhere he went. I sucked my thumb, and he kept slapping my hand. When I stopped, he would get up and walk away. 

We played children’s games at the birthday parties. Everyone, young and old, clapped heartily, smiles radiant. If it was my birthday, my mother dressed me like a princess. When it was time to blow out the candles, the birthday boy or girl stood up on a chair, wearing a crown or tiara, towering above all the seated guests. It was our moment. 

My father held shot glasses out to the children. Each of us reacted the same way after taking a sip—disgusted scowls. The adults seemed to find this response hilarious. 

It was apparent I had become the paradigmatic little girl—a girly girl, all ribbons and lace. I wore everything from sash-belted sailor dresses to peter pan-collared designer tunics with white anklet socks and my favorite red leather shoes. I had a purple suede coat I loved with furry cuffs and a furry hood. I endured the daily hair-brushing torture that resulted in meticulous hairstyles. The painstaking effort seemed to take centuries. My mom ripped out every minuscule knot like a mad hair-follicle scientist. 

They had movies of my brothers and me standing side by side, posture perfect, holding hands and singing Christmas carols for the relatives. My mom had taught us a couple of the carols in Spanish. 

That was the highlight reel. 

I happened upon an unlabeled tape while fumbling through the box and handed it to my father. He played it. The first scene was a typical party. My father, presumably, took the camera from the dining room to the living room, filming. The last scene showed a baby lying on its back in a playpen they had kept in the family room. 

“That’s you,” my mother said to me. 

“How come we never saw this one?” Joey asked. 

She shrugged. 

A boy of about two neared the playpen. 

“That’s Robbie!” my father shouted. 

In the clip, Robbie began yanking at my arms. 

“Oh, Dio!” my grandmother cried. Her hand went to her chin. 

My mother appeared on film, grabbing hold of Robbie. She slapped his face and led him away. “You were told to leave her alone!” she shrieked at him. 

Robbie was wailing, and the film fizzled out. 

“You said that never happened,” I blurted out. 

Joey was blunt. “Were you hiding this one?” 

“I was not hiding it!” My mother appeared defensive. “You found it in the box, didn’t you?” She scowled at him, clenching her teeth. 

My father laughed, along with Dom, Zuza, and Angie. My grandmother was still shaking her head. 

“Oh, my goodness!” Angie exclaimed. “You were right about that, too!” 

“Don’t worry. Robbie loves you,” Zuza said. “Kids do stupid things. What are you gonna do?” 

“Ah, kids, adults—we all do stupid things,” Uncle Dom concluded with a shrug. 

I knew that much was true. 

Deadly Veils Book One: Shattering Truths was originally published as Deadly Veils: Book One: Provenance of Bondage copyright © October 2015 by Kyrian Lyndon. The revised edition, Deadly Veils: Book One: Shattering Truths was published in December 2016. Cover design by KH Koehler Design.

REVIEW – The House on Blackstone Moor (The Blackstone Vampires Book 1)


This book was initially reviewed in May, 2012, but I am recommending it again to horror fans.

Before The House on Blackstone Moor, we experienced the wicked, self-involved albeit charming vampire and his polar opposite the long-suffering, brooding wimp with a conscience. Carole Gill’s Louis Darton is neither. Instead, he is the perfect balance between the twoa Byronic hero with substance. He endures, as the author writes, no matter what. He does so with great courage, inner strength, and compassion. Now that’s seductive!

As a fan of 19th century British literature and all things gothic, I found, in The House of The Blackstone Moor, all the elements I enjoy in a novel and all the features of a classic. The moods of great works such as Wuthering Heights, Pride and Prejudice, even Dickens (a la Oliver Twist and David Copperfield) surface throughout. Carole Gill presents excellent narration, well-drawn characters, and has a sharp ear for dialogue.

While hopelessly invested in Rose Baines and her beloved Louis Darton’s fate, I read this entire book in two days. No sooner had I put it down when an irresistible lure seemed to beckon my return. 😉 I’d have finished it in one sitting if I didn’t need to be elsewhere.

Between Darton and Satan’s cohort “Eco,” there is the additional element of the proverbial dark side with a twist. It brings to mind Anne Rice’s poetic Memnoch The Devil inspired by the Book of Enoch and Milton’s epic poem, Paradise Lost. This genre has been met and embraced in the past with great interest and sheer fascination. Carole Gill continues in that vein. She pulls it off quite skillfully with wonderfully bold and descriptive passages.

Carole Gill

About Carole Gill

Carole Gill is published by Creativia. She writes dark Gothic romance as well as contemporary horror.

Preditors & Editors’ Readers’ POLL
#2 BEST HORROR NOVEL 2016
I, BATHORY, QUEEN OF BLOOD

BEST INDIE BOOK FINALIST
2016
CIRCUS OF HORRORS

Her acclaimed 4-novel series, The Blackstone Vampires:
2014 – Amazon Bestseller in Dark Fantasy – THE BLACKSTONE VAMPIRES OMNIBUS
2015 – Amazon Bestseller in Vampire Horror – THE BLACKSTONE VAMPIRES OMNIBUS
2015 – Amazon Bestseller in Horror Anthologies – HOUSE OF HORRORS

AWARDS:
eBook Festival of Words 2014
Best Horror: The House on Blackstone Moor and
Best Villain: Eco

Top 10 Books – 2013 – The House on Blackstone Moor
Aoife Marie Sheridan – ALL THINGS FANTASY
Publisher, Ultimate Fantasy Books

92 Horror authors you need to read right now,
Carole Gill – The Blackstone Vampires Series. ~Charlotte Books Examiner,

Justine: Into The Blood Book One – Blood and Passion Series is on sale at Amazon.
Book 2, Anat: Blood Princess, follows.

I, Bathory, Queen of Blood, a novel about the Blood Countess Erzsebat Bathory is her latest book.
For dark horror fans there is, Carole Gill’s House of Horrors and the novel, Circus of Horrors.

In 2000 she was selected by Northwest Playwrights of England for further development. Short stories and novels were what she preferred to write.
Her story, The Devil’s Work is being broadcast web and television in the Fragments of Fear Program in 2016.

Blog:
http://carolegillauthor.blogspot.co.uk/

facebook author page:
http://www.facebook.com/pages/Carole-Gill-Author/120405794703293?ref=ts

She is widely published in horror and sci-fi anthologies:

Fragments of Fear tv and You Tube, ‘The Devil’s Work
Killing it Softly, Digital Fiction Publishing Corp.
Sideshow, published by PsychoPomp
After Armeagedon short story collection by Brian L. Porter (guest story by Carole Gill)
Rogues Gallery, The Illustrated Police News, Firbolg
Enter at Your Own Risk: Dark Muses Spoken Silences Firbolg
Vampires: Romance to Rippers an Anthology of Tasty Tales
A S Publications: Enter at Your Own Risk: Old Masters New Voices, An Anthology of Gothic Literature,
Fresh Fear: Contemporary Horror
Triskaideka Books’ Masters of Horror Anthology One,
Triskaideka Books’ Masters of Horror Damned If You Don’t,
Sonar 4 Publishing’s Ladies and Gentlemen of Horror 2010,
SNM’s Bonded By Blood3 Languish In Lament,
Sonar 4 Publishing’s Whitechapel 13, Anthology,
Rymfire’s Undead Tales,
Rymfire’s Zombie Winter,
Rymfire’s Zombie Writing
Angelic Knight Press’ Satan’s Toy Box: Demonic Dolls and
Whitechapel 13, An Anthology of the Victorian Era
Sci Fi Almanac 2009 and 2010 and
Science Fiction Freedom Magazine, issues 1-4,
Sci Fi Talk’s Tales of Time and Space.Read less


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