WELCOME TO MY TOTALLY ABSURD DREAMS

It was a recurring dream for many years.

I’m in the bleak underground, waiting for a train. There’s just enough light from the incandescent lamps to cast a dingy yellow glow. Trains pass, but they look ancient. Still, they are un-defaced by familiar graffiti. Near the passenger doors, the stops each train would make are listed on a flipping board. I don’t recognize any of these places.

Rooted to the platform, I ask strangers for directions. None of them have ever heard of this place I want to go to—never heard of Woodside, Queens.  Lost and disoriented, I feel deep distress and despair.

In my mind, I recall Manhattan’s glittering skyscrapers seen at a distance, beyond the river and the bridge. I remember my train rumbling speedily toward the heart of Queens, passing through the tunnel into sunlight. Sometimes, I’d catch the sunsets when my train emerged from the tunnels, and I was in awe of the dark navy sky and its sweeping reign over the houses with their golden-lit windows. Or the trail of light orange and the vibrant, darker orange that faded into a pale gray sky.

The strangers around me finally mention places that sound somewhere near where I want to go—still far, but I have some hope I’ll get closer. I’ll get there eventually. And I’m willing to settle for that.

Oddly, we’re outside now, still on the platform, but it’s more colorful here. I see trees and recognize the stranger beside me, but he’s barely an acquaintance. The train chugs along, but it’s too crowded when it arrives. I can’t get in, but he does. There’s simply no room for me. I don’t fit.

Suddenly, another train barrels toward me, its rapid arrival quite unexpected. I hear the beeps and clangs, and I think, “That’s the one.”

Without hesitation, I scramble on board. I never check where it’s headed. We travel farther and farther away from all that’s familiar. Soon, I am far from the place I call home and everything and everyone I had ever known. We pass an endless green sea with a boat in the distance. We are somewhere remote. I don’t recognize this place.

My dreams are vivid, yes, and colorful, and my recollection of them is thorough.

In another persistent dream I’ve had since my recovery, and until recently, I ride a motorcycle that I’m so proud to be riding. (I’ve only ever ridden on the back of one.) As the dream progresses, the motorcycle becomes a bicycle, which I did ride as a kid, and, in the dream, I’m still thrilled because I’m cruising everywhere, including up and down the dark streets of Woodside, my old stomping ground.

I’m experiencing freedom in this dream, and I’m celebrating it, so I’m happy. Except that the bike gets smaller and smaller until I’m on a tricycle that I’ve obviously outgrown.

There’s also a recurrent nightmare where I have to get home from Roosevelt Avenue—that walk home at night from the park I’d dreaded as a kid, as well as the route home after work from the train station when I lived in Woodside. It’s light at first in the dream but gets darker and darker until it’s completely dark. I’m never a kid in the dream, but, still, the dilemma frustrates me and plays out as an obsession. Whatever way I choose to go, that long, seemingly deserted hill can’t be avoided, which in reality is true unless I take the route from the crowded, brightly lit storefront area on 61st Street. Even then, I’d have to go past the place on Woodside Avenue where it’s eerily quiet at night.

More recently, I dreamt that I was stranded somewhere and ran into my parents. I asked for a ride home, and they refused for some reason that made no sense. At first, I thought, well, it’s beginning to snow now and starting to get dark, but I’ll make it. As I walked, it continued to grow darker. The snowfall became heavier, so I tried running. Creepy people tried to lure me into alleys. Somehow, though, I got past those creatures and arrived home.

My son was asleep in his room. I must’ve gone to sleep, too. In that same dream, I awoke in the dark to find the door locks broken off the door. A sign was on the front door saying, I hate you. I will destroy you. It was written in blood. People with cold, angry eyes and a few angels floated around the room. They did nothing to physically harm me, but they were holding my son captive, so I charged in there like a martial arts movie hero, kicking them all. They had an invisible shield I couldn’t penetrate, so I went to the door, opened it, and began screaming and begging for help. No one answered.

Now, I can easily interpret what that awful nightmare meant, but David said, “You should never go to sleep. Your dreams are horrifying.”

That had me splitting my sides, and he was equally amused.

Transportation is a common theme in these dreams, and I am moving by bike, train, or on foot. I think, symbolically, it has to do with where I’m going—my path or journey, my goal, and whatever happens in getting there. There’s the persistent question of whether I’m heading in the right direction, and, according to a book I’d read a about dreams, train stations represent transformation. I don’t think any of these dreams suggest I am lost, but I am consistently unable to go home, and I don’t fit or belong there.

The destination is always Woodside, although I haven’t lived there in decades and will never have to make that walk again from any street. Woodside, with its good, its bad, its horror, and its beauty, will always be special to me, and I get those bittersweet pangs of nostalgia when anyone so much as mentions my hometown of Queens. However, my fear at the time I lived there was possibly intense enough to carve out a permanent space in my subconscious mind. Or, it merely represents a place of origin because I’ve wondered if, in order to persist with your ultimate goals, you can’t go back.

The “threats” in my dreams are all of the obstacles.

Interestingly, I was about to say I hadn’t had a “train” dream in a while, but one occurred the other night. In this one, all the subway stops had their names changed. Some were crazy names like Anywhere You Want to Go, while others simply said 50th Road or some other ordinary thing. Per the usual, I had no idea where any of those stops would leave me on the way to Woodside. The platform on this station was perilously narrow, so I had to be careful, even sidestepping rocks while navigating what little room I had.

On a lighter note, I once dreamt I was a cookie, and mobs of people chased me, wanting to eat me. Amused, I told David that I’d had that dream.

“Of course, you did,” he replied, and we shared a good laugh.

Excerpt on ‘Dreams’ from Grateful to be Alive – My Road to Recovery from Addiction by D.K. Sanz

Woman sleeping/night moon feature photo by IceRedfield from Pixabay 

Train image by annca from Pixabay 

Monster in window image by 1tamara2 from Pixabay 

Train station image by Igor Ovsyannykov from Pixabay 

Gingerbread man image by artistlike from Pixabay 

QUIET ETERNAL SONG – a short story by David Antrobus

Here is a short story written by a dear friend of mine, author/editor, David Antrobus. I just love the beauty of his writing and storytelling, and, so, I wanted to share it with you.

David Antrobus Posted On Saturday, December 5, 2020 At 10:53PM

She showed up every afternoon in the town square, her guitar and amp ready to display her bona fides, ready to dazzle. She used to hear god’s whisper but no longer. 

She was an auburn beauty, which was incidental, but her gathered ponytail and her classical vulpine face were assets, however the music came.

Yes, pretty hurts, but goddamn, it still had such currency.

“Pretty lady, I won’t rain on your parade, but this isn’t the place for you.”

The wolf had appeared from shadows beneath the chapel roof and the market awnings, and he smiled through tumultuous teeth and tried to dam his drool. Oh, he was hungry.

“The skies are clear and this isn’t my parade, Mr. Wolf,” she said. “This is a way station, and I come from elsewhere, but here I sing my truth.”

“Don’t push me, woman.” 

“I won’t. Instead I’ll make my music.”

And she did that. Splashes of half or quarter melodies, staccato squalls merging into dreamscape, arpeggios traipsing on ramparts of crenelated chords, spiralling into the darkest of wells and spinning into meadowlark updrafts. Distortion like the most shattered of mirrors, hot liquid globules and elastic spans of glass, a glittering haze of misted diamond. Her thumb like a hammer conjuring bass notes, rhythmic and sundry as coitus, her arachnid fingers a blur as lacquered nails plucked and glissandoed reflected layers of overlapping melody. And above it soared her voice, like the great mountain condor, effortless and buoyed by thermals.

The townsfolk gathered and grew in numbers, and they sometimes sang snippets that only augmented her song, and children danced, and then their mothers, and then, looking sheepish between themselves, their fathers. 

The wolf was humbled, reduced, his snout a wilted thing, his ears flat, the luxuriance of his tail now tucked. 

“Mr. Wolf, I won’t stay. I’ve done what I came for, and it’s always time to move on. What will you do?”

Cupping the town in its rough hands was a landscape of clear streams and falls, forests dappled by light and deer, skies that paraded like blue and white and grey ticker tape, crags and flats and the quiet eternal song of the land.

The wolf, who recognized the good as well, knew all this and loved it, but he felt thwarted. Her cello nape, her downy hollows, her female scent itself a taunt, and though he knew he was wrong, he let himself down.

“I will eat you; it’s how I’m made. It’s what I am. And you, my chestnut fawn, were made for this too.”

She sighed while she packed her instruments. Something in the faraway hills echoed and crackled like an exhaled nightmare. She wished she could love the wolf and receive his love in turn.

“You will do what you were made to do, Mr. Wolf. But you are not emblematic of your kind.”

The wolf was puzzled. He didn’t know what emblematic meant. And while he crunched her words like marrow from the bones of a lover, spurned and sickly as the plague-struck, the townsfolk moved in silence with their clubs and knives and systematically dismembered him, and hearing his last furious yowl she cried as she left town, her hardware hunched like a stigma on her back, the neck of her guitar a phallus, her keening cry a screech of corvid grief in the spent and airless afternoon.