Connecticut, Summer of 1987
There was no blood. I was dead inside, but not bleeding. Zipping my shorts in a daze, I focused on the brown and gold hues of the wall tiles. I washed my hands over the sink, avoiding my reflection. The hexagon-shaped mirror was antique and gilded. I now felt debased in its presence as well as in these familiar surroundings. After turning off the faucet, I stood there for a moment, and then hastened to my room.
The brass bed, dressed in white eyelet sheets and frilly pink bedding, was an update of my choosing. The nativity scene plaque on the wall above it had been there throughout my childhood—Mother Mary in a protective stance over Baby Jesus. I suppose the intention was to comfort and protect me. Still, I lined the bed with stuffed teddy bears and kept a sixteen-inch porcelain doll with golden hair and dark blue eyes on my white dresser. She wore a pink Victorian dress with lace trim and glimmering beads and a hat to match. I picked her up now and held her tightly to my chest. A tear fell as I snuggled her to me for as long as I could. After setting her down, I approached the window.
I could see far from these foothills. A woodlot of mixed forest surrounded our home. In one direction, I saw the Hartford skyline—in another, steep, rolling hills in their divine and blissful glory. My room faced the direction of Old Buckingham, not half a mile away. The ancient cemetery was set back from the road, just beyond a fortress of trees. We heard stories of weeping spirits, distant cries of agony, and diaphanous circles of white light floating above and between the tombstones. I never knew whether people convinced themselves of these things or merely embellished the truth. One thing I knew did happen: Fierce hurricane winds had nearly destroyed the little church on its grounds.
Much as I loved this house, it was an eerie place to grow up. That had little to do with ghost stories. I would lie awake in my bed at night, listening to the sounds of darkness—imagining that the hoarse caw of the crows warned of impending doom. I got this sense of urgency from yapping dogs, yelping coyotes, and the ear-piercing whistles of the woodchucks. Some nights, even the benign chirping of crickets grew louder and more intense with each moment.
I prayed, always.
Watching from the window now, I felt like some reclusive old person who got all the neighbors whispering. I watched for a dusty black Cutlass Supreme, needing to make certain it was nowhere in sight.
The phone rang, and I panicked. My father had mounted it to the wall between my room and the master bedroom, so I had to leave the room to answer it.
“Hello, Danielle,” the voice cooed.
Sickened to my core, I hung up.
It rang again, the innocuous ivory phone that seemed suddenly possessed. I wanted to rip it off the wall.
I lifted the receiver.
“Don’t hang up.” It was the other guy.
“Stop calling here!” I ended the call with a slam.
They had the gall to utter my name! They sounded so casual, so elated—as if the atrocity I had endured earlier that day had been mutually rewarding. Granted, it could have been worse, and yet a part of me had died. More unsettling still, they knew where to find me.
Deadly Veils Book One: Shattering Truths was originally published as Deadly Veils: Book One: Provenance of Bondage copyright © October 2015 by Kyrian Lyndon. The revised edition, Deadly Veils: Book One: Shattering Truths was published in December 2016. Cover design by KH Koehler Design.